Elvis Presley


                                                                  
                                                             1972

1972

l Year 1972 It begins with a very important change in the life of Elvis Presley. The separation from him and divorce from him who until now was his wife Priscilla Beaulieu. The situation was difficult for him, because he would leave him for another person and due to many circumstances that had not been handled correctly until now. Priscilla was with him since she was 16 years old, she had grown and matured seeing how her husband turned to her music and to another world that was difficult to share, a world that deep down she never understood. She wanted a normal husband who would throw himself into the relationship, even if he was an artist, she did not understand and could not go on like this, until she would get tired of this situation despite having a still small daughter. Elvis could not accept this separation initially, because he felt I would feel betrayed. Deep down it was his love for himself that made all this affect his spirit. But he had to continue with his recordings, performances and his artistic life was the first thing for him. Over time, other people would come, other situations, and fortunately the divorce would not be a problem so that he could see his daughter, Lisa Marie. The year 1972 would be a year of important events in the artistic life of Elvis Presley.
"Following the Path of the King..."




FROM TUPELO TO MEMPHIS 67.
March 1972

https://go.ivoox.com/rf/73505011 

The March 1972 recording sessions. Elvis Presley's low mood and situation make these special. The separation and future divorce create a new personal stage for Elvis Presley. A few days before making the documentary "On Tour". Of these sessions held at RCA Hollywood, new songs for the repertoire that he will sing in his future concerts and singles that will give Elvis another chance at success. From these sessions would come out new hit singles such as "Burning love", "Always on my mind, "Separate ways"... The history of the scores, authors, etc.




Music and the Heart.
"Separated ways"

www.detupeloamemphis.com

When the music goes on one side and the heart on the other, when life forces us to twist our path, when pain transforms the most hidden face of the soul... sometimes it is necessary to admit defeat and let go. Fly to another side and learn to live another life, another world, another feel. Elvis felt the music to the point of being abstracted when listening to it, he liked to know and learn with the scores that others had written for him. Listening to the song "Separate Ways", which his friend Red West had composed for him, he listened to it over and over again. Once recorded, he shared it at this time with Jerry Schilling and Joe Esposito. Red was a born composer and knew perfectly everything that Elvis was experiencing at this time. His separation from Priscilla was already a fact and he couldn't accept this situation, because he was hurt in his pride. Love was no longer the important thing, it was the fact that he would no longer have his wife at home, with his daughter. Family was important, too important to Elvis, even if he didn't show it with his deeds, even if he didn't show full dedication in his marriage. All this shattered his life scheme. 
Elvis needed a woman who was always there in his home, although at this time, he no longer understood her, it was not easy and at the same time he needed others for his leisure time, it could not be otherwise, this is what not it could change. That's how he had decided and what he had to do was accept it, let go... The song they were listening to was an emotional and narrative ballad, very close, so personal that it came with all his message.
 Red came up with this song long before the rest of Elvis's friends saw the reality of the breakup, he composed the lyrics with another songwriter named Richar Mainegra. But now Elvis, with Red's words, seemed to be singing a heartbroken piece of autobiography. "Love has vanished, it has left us just friends. We almost seem like strangers"... There was even a verse about a girl trying to make sense of her parents' divorce. And the chorus accompaniment added that there is nothing left to do but go their separate ways and hope that new love can be found somewhere in the future.
 Elvis could sing a ballad that left the viewer in a cloud, left all the skin of him just like when he sang a rock. But in this song he has a subdued tone, his voice was tinged with regret, at least that's the impression he makes on the listener. His state of mind, immersed in his thoughts and combined with a letter that made him lose himself more in his thoughts, he could see the depths of him, he managed to transmit everything that was happening in his life. the.  Also for Joe and Jerry it made them think about their marriages, listening to Elvis's voice singing "Separated Ways", they thought about their own problems, because the two were getting divorced then.
 Elvis looked at the floor, seemed to shake his head a little and Jerry would say that you could almost feel the thought of the three of them, the mistakes with his partner, they thought of their marriages falling apart due to neglect. They were involved in a life that hardly included their own wife. For work, for friendship, for music... 


The song lived the moment in Elvis Presley's life, it was time to take another path and breathe, leaving behind the person he had shared with him all these years. Elvis Presley recorded the song on March 27, 1972 at RCA's Studio C, Hollywood and released it as a single with "Always On My Mind" as the B-side. It achieved gold status in the United States with sales of over half a million. of copies. It was listed as a double-sided hit reaching number 16 on Billboard magazine's Hot Country Singles chart in November 1972. In the UK "Always On My Mind" was the hit song and "Separate Ways" was the side. B. An absolute success for Elvis, that although he did not feel entirely encouraged, at least he saw that his artistic life resurfaced again. 
It was his reason to move on and the Path he had chosen long ago, leaving his mate behind. By the time the single was released on October 30, 1972, Elvis was already dating Linda Thompson, in whom he found not only a partner, but also a woman to share. 


The song "Separate Ways" was released on an Lp of the same title, on the Camden label. Later it would be published in "Double Dynamite", "Always On my mind", "Walk A Mile In My Shoes", "Burning Love", "Elvis By The Presleys" and "Hitstory". A different version appeared in "Platinum: A Life In Music" in 1997, and a rehearsal version for the documentary "Elvis On Tour" (in which he also appears) would come out in 2004 FTD "Elvis On Tour-The Rehearsals", etc. , etc. 
Richard would tell about this composition that he was initially scribbling the music on a guitar when Red sat down to play next to him and began to improvise with the lyrics,  in this way the score would come out in a short time. Red was convinced that Elvis would like to sing it, but Richard was hesitant because it was something so personal, that he described the separation from him, that he wouldn't want to perform something like that. But Red was right, because he knew Elvis to the core, he knew everything that was happening to him and he also knew him as a person and as an artist. 


"Following the Path of the King..."


https://youtu.be/VYUBHgHD-Do

The change of pace and success
"Burning Love"


The song "Burning Love" was a proposal from Felton Jarvis, the producer of Elvis. It was shown to him by Bob Beckham, publisher of Nashville, and Felton was so impressed that he had shown it to Elvis for these March 1972 recordings. After much effort, Felton finally convinces Elvis to try singing a rock by Dennis Linde . Both Bob and Felton were convinced that "Burning Love" could be a big hit for Elvis. Especially a change of air, compared to the songs he was choosing at the time. 
They were looking for an enhancement, a new hit, but Elvis was not receptive. He didn't feel like rock, because he was in the middle of a marital separation and the type of songs that he had accepted were more heartfelt, ballads, etc. His friends from the Mafia, Jerry, Charlie, Red... looked for another spirit in this session, with the musicians, they pushed the proposal a bit, playing some rock and improvising upbeat songs. 
This finally encouraged Elvis to say "yes" to the song. Although he would have a hard time coming up with the lyrics for this reason, he is sometimes seen on stage with a role. Despite having a photographic memory, in this case, Elvis put it aside. But his interpretation is a real avalanche of adrenaline... and also curious and funny, seeing Elvis following the tenor's sharp response at the end of the song, with his improvised "Ahhhh". 
The song was recorded on March 28, 1972 , at RCA, Studio C in Hollywood. Dennis Linde composed it for his wife. But once recorded, he showed it to Felton in a demo recorded by Arthur Alexander, the soul singer. Then Felton was excited that Elvis could record it and Elvis ended up singing his song. The version got faster and more energetic. Linde backed up on his old Gibson double neck guitar, so he could overdub some guitars on the song. But he did not have the opportunity to personally meet Elvis.
 When he heard the final version of "Burning Love" he couldn't believe it. He always liked Elvis, he was a fan from the beginning, he thought the version of "Burning Love" was a bit fast at the time, but he loved the energy of it. Elvis recorded two more Dennis Linde songs, "For the Heart" and "Igot a Feeling In my Body". "It's a matter of time", as a B-side. It would reach number 2 on the Billboard charts, selling more than a million copies. Currently platinum disc, cataloged by the RIAA. But the most important thing was that the success of suggesting an important change in his repertoire would be the opportunity to impact the musical world again. Elvis was on the rise again.

 "Following the Path of the King..."
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Heart Songs.
"Always on My mind "

The song "Always on My Mind" was recorded on March 29, 1972 for RCA in Hollywood. It was to be issued as a single, as the B-side to the Red West song "Separate Ways" and released in October 1972, several months after his and Priscilla's split. Written by Mark James, Johnny Christopher and Wayne Carson." Maybe I haven't treated you as well as I should Maybe I haven't loved you as well as I should Little things I should have said and done I just never took the time You were always on my mind. .."


A song that would once again imply a feeling of repentance, of guilt, after the recent separation from Elvis. This song would make you reflect on the abandonment of him and look for reasons that are described in the feeling of this score. Sometimes we do not dedicate enough time to the person with whom we share life. But it is true that love can sometimes be confused with habit, losing passion, tenderness, full dedication... leaving aside the feeling of the heart and getting carried away by boredom, without enriching the relationship day by day, without surrendering to the other looking for the spark at every moment. 
Over time, everything takes its toll and love, if you don't take care of it, goes away... it gets confused with a different feeling and it's hard to accept loss. Wayne Carson was composing for a session he was doing for Monument Records. Chips Moman was his producer. He asked her to continue with one of the songs that he was composing. So he went there and met Johnny Christopher. Wayne and Johnny worked in a small room above the studio. 
One day when Wayne's wife called him, he said, "But honey, you're always on my mind." He took it as a title, they knew they had a song and when Mark James, also a songwriter ("Suspicious Minds") came into the studio, they would ask him for help and he added the bridge. Wayne planned to put it on his own album and record it. Chips Moman loved it and wanted to show it to Fred Foster, owner of Monument Records, and he turned it down! He said, "I don't think the world is ready for that." But Red West heard her too. At this time he was also collaborating as a songwriter with Chips Moman and told him: “Elvis has to hear this.” He knew that Elvis would like this song and would like to record it. And so it was, of course Elvis liked it so it was included in the March recordings. 
The song was perfect for his voice, very comfortable and with lyrics in which he will pour all his feelings. The characteristic piano introduction that accompanies and announces the voice, embellishes the score. The song appeared on the album "Separate Ways" by Elvis. The song served as the title track on the 1985 self-titled commemorative album, and can also be found on "Artist Of The Century", "Burning Love", "The Country Side Of Elvis", "Elvis By The Presleys", "Elvis Country ", "Elvis 2nd to None", "The Essential Elvis Presley", "Great Country Songs", "The Great Performances", "Walk A Mile In My Shoes", "Hitstory" ,"Love Elvis", etc. Alternate takes from the original sessions were included on the 1997 "Platinum: A Life In Music" anthology and the "6363 Sunset" release. Also in rehearsals for "Elvis on Tour" documentary, FTD album, "Elvis On Tour-The Rehearsals".


 One curiosity is that a remixed version of Elvis's 1972 recording, which appeared on the official 2006 FIFA World Cup football album, would be made. "Always On My Mind" has been a widely covered song around the same time , artists like Brenda Lee, B. B. King, John Wesley Ryles... Interestingly, Willie Nelson's version would win the Grammy Award in 1982, despite the fact that Elvis's version will always be the best known and associated with him.


 "Following The Path of the King..."
https://youtu.be/IgQt07vcr1E


"ELVIS ON TOUR" Film Documental 

                              








                                        









                                                                          MARCH APRIL 1972

The making of the documentary film "Elvis on Tour". Rehearsals, recordings and concerts made in March April 1972


















TOUR 5 - June 9 to 20, 1972






The power of presence.
"Magic and Eternity"



Sometimes the image becomes as powerful and impressive as the talent itself. Elvis Presley, June 1972. It is true that if we analyze everything that Elvis Presley experienced in his career, it is evident that his voice, his magic, his interpretation was undoubtedly what makes us stand at his feet , magnetized, hypnotized spellbound. His voice reaches us to such an extent that it seems that he had not died, despite the years his songs are still there and his audience is still faithful, unconditional.
 We could describe him as someone eternal, timeless but there is also another observation important in it. His image, his presence, his aura... Elvis Presley when he entered the stage just seeing him dressed in white, with his cape as if he were a knight without a sword, but armed in such a special way, so different, so impressive.... It was already something unrepeatable, something indescribable. 
Everyone who knew him would explain it this way and for that reason when he performed concerts in the auditorium of Madison Square Garden in New York they described him as a "Prince from another Planet", because he really didn't like it. it was even necessary to sing, His mere presence had an impact in such a way that the impression did not leave anyone indifferent.
 On stage he had stepped strong and just by seeing him enter his image was that of being an exceptional being so special and different even unattainable, despite being an ordinary man, not only was his voice, not only was his feeling and his soul on stage, but also his presence left us all speechless. But we already know that the image is not only what we see but what is transmitted from the inside, therefore we understand that Elvis Presley was a magical and eternal being. And by this we are living the story of him... 

"Following The Path of the King..."

From Tupelo to Memphis June 70, 1972.
Magic and Eternity


Tour from June 9 to 20, 1972. This new Tour was a challenge for the artist Elvis Presley, a new concert tour that begins in New York. They say that it was the most demanding audience in the US, so Elvis was somewhat suspicious of the possible reception of this public in particular and especially from the Press. In 1956, on his rise to fame, he was heavily criticized for his way of singing. to move etc. It was a hard blow for him, because the press ridiculed him, despite his success and for this he was afraid of criticism, which could ruin his future, but above all his morale. However, the tour began with absolute success. because the press and the public received him with open arms and the next thing would be to travel day by day to the rest of the cities to finish the Tour. 
The conquest at Madison Square Garden in New York was echoed through the press that described as "A Prince from another Planet". The box office record was already a fact that would give Elvis Presley an absolute triumph over his fears and misgivings, nothing could happen now... he was on the path he had dreamed of and it was a moment de Gloria...


"Following the Path of the King..."


We will talk about these concerts, the music, the interview and much more in the program From Tupelo to Memphis 70.

The Natural Face of the Myth Hilton Hotel, New York.
Interview, June 9, 1972



























The start of the tour scheduled for June 1972, would take place in New York City, initially to appear there, Colonel Tom Parker, his manager had proposed an exclusive interview to speak with Elvis. The interest was maximum, since there was a lot of expectation, all the tickets sold... But this proposal did not receive any acceptance, the reason was evident, it was due to the price of 120,000 dollars that the greedy Parker wanted to obtain, for this reason it was necessary to He changed the plan to offer a press conference the afternoon before the first show. Elvis Presley did not like interviews, the proof is that the previous one of this caliber would be in 1969 for his return to the stage. Although he sometimes gave small interviews, this one was as important or more so than the one in Las Vegas. He didn't like personal questions either, he always kept his life as if it were a treasure. It is true that all his friends, those around him, were a closed and exclusive circle, taking into account that whoever talked too much could not belong to him. For this reason, when someone asked him about his personal life, Elvis avoided the answer or answered something else. 
He was always reluctant with the press and in June 1972 he would have a special reason that worried him, it had to do with this city of New York where years ago the press criticized him, ridiculed him, it would even be a boomerang effect, so Elvis who always wanted to be a performer who could sing freely felt really bad about this bad review. Interestingly, in the filming of the movie "Elvis On Tour", they would get him to talk about many things that he would never have confessed in public. But this was a face-to-face meeting with the director of the documentary, nothing to do with a bunch of journalists harassing him with questions... 
The friends said that Elvis was sure that the interview he had to give out of obligation would also be to try to embarrass him or something like that. Jerry Schilling knew that Elvis was always very careful not to say anything inappropriate, but he was very spontaneous and what he really wanted was to be accepted by everyone. Elvis knew that these performances that he was going to perform in New York, at Madison Square Garden, would be the most difficult thing he had ever done, because he was considered the most demanding audience in the US. Of course, the press was the first round he had to skip, but with all this Elvis was psychologically prepared to put on his best smile and answer back. When he arrived at the Hilton Hotel room, the journalists received him with shouts, joy and applause. 
The atmosphere was positive and the mood in general was nostalgic during these four days that he would be in New York. Elvis was a little nervous, but he didn't show it, he was just a little uncomfortable because of his eyes, because surely the spotlights were bothering him, but his attitude was smiling and positive. When he appeared before the press Elvis was dressed in a blue suit with a high-collared jacket, a white shirt with flowers, adorned with a cape, the ensemble designed by Bill Belew. The first thing he said with a laugh was "First of all, I plead not guilty to all charges!" ... 
At all times Elvis answered with a lot of humor, trying to respond in a natural way, but some question evidently made him laugh and he said whatever came to his mind. An example, Mr. Presley, "why has he survived all the competition from him?" Elvis: "I take a lot of vitamin E... No, actually, honey, I guess I've been pretty lucky." They asked him "Elvis, why have you waited so long to come to New York?" Elvis: "Well, sir, we had trouble finding a good building and once we found one, we had to wait our turn"... At one point they ask him if he considers himself shy and humble, to which Elvis replies : "What do you mean shy?" he stands up, smiles, and opens his jacket to reveal his huge gold belt, worth $10,000, a prize for his Las Vegas audience record. Elvis : "I don't know what makes you think this..." The press laughs and there is a memorable moment in the interview, because Elvis did it on purpose... They ask him "Elvis, are you satisfied with your image?" Elvis: Well, sir, it's very difficult to live up to an image." 
It wasn't really uncomfortable at all, just a moment when someone asked him about Priscilla, the only moment in which Elvis showed a serious face and answered that he would not attend the concerts in New York, without further explanation. The separation had not really been publicly announced yet although all his circle knew it... They told him "You seem to have less oil in your hair these days" Elvis: "Yes Sir, I stopped using those greasy things for children." They asked him about Vietnam, but Elvis said he would not talk about it, that he was an artist and did not want to give his opinion.
 When asked if all artists should do like him, elvis counted

https://www.youtube.com/watch?v=8d2IyC1Ljpo


The professional face of the myth
The performances in front of the public.
June 1972 Tour














The concert tour would begin on June 9 in New York and end on June 20 in Tulsa, Oklahoma. Elvis's performances in general throughout the June tour would be elegant, for sure, Elvis's nervousness is not perceived despite the real situation inside him. He always got like this at the beginning but his control, his professionalism made it seem that everything was perfect, regardless of the jokes or improvisations that might arise as was normal. The Concert repertoire was very nostalgic on this tour, it was logical since in some area of the concert programs, he had not appeared for years. Although the truth is that the public wanted him the same and it would have been perfect if he had introduced his recent repertoire... The songs, although they are the same ones that we already know from the past, there are some variations that we can observe When we listen to such well-known songs as "That's Alright" by Arthur Crudup... 

https://youtu.be/mvi4JRI27s8

Also in other songs from the 50's, we hear an acceleration of the tempo. It is faced faster with a different intention, it is no longer the same song, but not for this worse, but simply different. The orchestra added more body to all these songs that were once played with a guitar, bass and drums. Obviously it couldn't be the same with all an orchestra, and besides, Elvis didn't feel the same. For purists it could be somewhat annoying, but for long-time followers it was clear that this was a different era and his way of singing therefore continued to be wonderful, but it would have nothing to do with the 50's. Parts of the song are eliminated in some cases or even in more recent songs the spoken part as in the song "Polk Salad Annie". The reason could be due to time adjustments in the repertoire or simply because Elvis did not feel like singing the part that was cut. a moment... but really everything was studied, nothing was done at random. 
Elvis had designed his new show which was performed singing all the songs almost non-stop, hardly any dialogue, which made the shows small marathons for the artistic team and for Elvis himself. This could obviously be exhausting for him and for the musicians. Songs like "Proud Mary" by John Fogerty, with interpretations that leave a mark on the public, the rhythm forces them...
https://youtu.be/5wxoqSEZiOY


Sing again "The Impossible Dream" a song written by Joe Darion with Mitch Leigh for the Broadway musical "Man of la Mancha", which centered his story on the character of "Don Quixote" written by Miguel de Cervantes. He had already sung it on stage before, but just like in the old songs with a lighter air... This score was a song that had an ending to show off the artist, with a treble accompanied by the choir and the whole orchestra, but Elvis he did not want to risk making this high note at a more moderate tempo, hence the version was made lighter.
 He did not want failures in these concerts that were a great challenge for him and the result was optimal, since there was hardly anything that was uncomfortable.


A small inconvenience since it is true that at some point , you can hear Elvis lacking fiato, his ability to dose the air when he sings, but it is clear that in any concert the physical form, the nervousness, the movements could create what could happen and this lack could be noticed a little in the voice It was clear that although he sang everything wonderfully in his lack of rest, it could be that this could happen to him sometimes, but the public did not really feel it that way, it would not matter what he did, that Elvis on stage won the ovations without same. The song "Never Been to Spain" that had been recorded at the beginning of the year in Las Vegas, had not yet been published until this June, which would be recorded in the recordings of Madison Square Garden. 


In general, the repertoire was focused on the songs that made him known and successful, so it was difficult for him to fail, the public was really waiting to hear these songs that they had wanted to revive for so long. We don't know the reason for these concerts, but the lights don't play the same light and shadow game that made the show more intense. But it is true that each Auditorium, Stadium, Concert Hall had its own lighting and so it could be the reason that they did not have the same provision to offer the same set of lights. It is also true that the amateur recordings in which we can see these performances would lose a lot of quality and could make us think that it would not be done in the same way.

"Following the Path of the King..."

FROM TUPELO TO MEMPHIS 70
On Tour June 1972 Magic and Eternityclick on the link:
https://go.ivoox.com/rf/77522167






Songs of the Heart
"I'll REMEMBER YOU"












In these June 1972 concerts, Elvis planned a repertoire similar to the previous one in April, but it was evident that he wanted above all to focus on nostalgic songs, since the tour took place in places that he had not visited for years, such as New York, for example. He included a song that he had not sung for many years and that he would sing again many times from these concerts, the song "I'll Remember You".
A wonderful, absolutely nostalgic score, in which Elvis was surely lost in his memories.
Elvis recorded this score that Kui Lee had composed, at RCA Studios in Nashville on June 12, 1966. The history of the recording of this song is quite particular because at this time Elvis had a bad day, not physically, but he did not really want to go to the studio and would make a great excuse, obviously not to go at this time. He had never done something like this and it was the first time that Elvis had refused to do something that he had already agreed on, it was not in his way of being and much less in his professionalism.
The curiosity in this recording is that Elvis had not gone to the studio to sing and pretended to have a cold, because he was not in the mood to record this day. In his place he sent Red West, his friend, who was not only a songwriter but also a singer as well as his bodyguard, to play him in his place.
Red knew how to imitate Elvis, because he lived his path for years, on the road, in concerts, as a friend, as a protector, in addition to having listened to him at all times and having sung with him, at home, in leisure time, etc. He knew how to sing this song instead, you could say he would be the first impersonator in history... There are recordings where you can hear his voice singing for demos that Elvis would later perform, so I could trust him, because he was sure that Red would do it perfectly and so it was, he sang the three songs for the demo recording, "I'll remember you", "Indescribably Blue" and his own song as a composer "If Every Day Was Like Christmas ".
In the voice of its composer Red West:

https://www.youtube.com/watch?v=iSi5xbqW04M

"I´ll remember you" Elvis in the recording of June 1966
https://www.youtube.com/watch ?v=lOylKP3HYPcA

Red West accompanied Charlie Hodge to the studio and the song was then recorded in the style and manner in which Elvis would have sung it, inspired by artist Don Ho's version. 3 ballads were recorded this day and the accompaniment added by Felton Jarvis in a recording technique that he would say was avant-garde, with guitarist Chip Young, the result was that they would sound very modern at the time. Elvis's voice would be recorded later and with all the feeling, intention and security of performing a magnificent performance as he would have done that same day. It is a ballad that does not leave anyone indifferent, because of his feeling and in this case, Elvis could have included it because of the recent situation, his separation... but above all because of remembering past times.
Elvis connected with his emotion, his interior and the song became one of his most performed concert staples in the 1970s. The Nashville recording was initially released as a bonus track on the "Spinout" soundtrack LP, in 1999, it came out on "Tomorrow Is A Long Time". An alternate take from the 1966 studio session is on the FTD record "So High". The master version was included on "From Nashville to Memphis" and "Platinum: A Life In Music". Live recordings from the 1970s "As Recorded at Madison Square Garden", "Elvis: A Legendary Performer Vol. 4" were released. The song was on the "Aloha From Hawaii Via Satellite" album and concert playlist, and is on a number of live bootlegs from the 1970s. Live performances on "The Alternate Aloha" and "Elvis Aron Presley", and on the FTD albums "An American Trilogy", "Big Boss Man", "Dixieland Rocks" and "Southern Nights", etc. Both versions have a clear difference in Elvis Presley's state of mind and in his voice, which was logically much more mature, although only six years had passed, his voice, his way of singing had evolved and they could seem like two different people, but it is the clear passage of time and experience.
A song to remember..."I´ll remember you" Elvis in 1972

https://www.youtube.com/watch?v=t8dt8yHWG-k

The
sense that the lyrics would take in the present summer of 1972..."I'll remember you after this endless summer is goneI'll be so lonely so aloneliving just to remember youI'll remember too your voice as soft as the warm summer breezeyour sweet laugh,mornings after forever after,I'll remember your arms someday I'll be back to stayuntil Then I will also remember each clear star to the one we made wish you love me anyway, always promiseohh, you'll remember too"

"Following the Path of the King..."





Change and Safety

JUNE 1972 On Tour



In June 1972, Elvis's state of mind varied from bad humor to good humor, since he had not yet assimilated his new situation of separation. Everyone knew that despite trying to pretend that everything was the same, Elvis felt sad and this affected the way others treated him, but he tried not to be, although this situation caused him these contradictory moods. It was such that he did not allow the wives of the members of the Mafia, his friends, to meet with him, in moments of leisure and this was somewhat particular for all of them. But since no one wanted to make the situation worse, none of them said anything to him about it.
But when the tour arrived, fortunately Elvis focused on his show and his audience. In the performances held in June 1972, Elvis, who had already been warned for a long time, by threats, ordered all his bodyguards to carry weapons, in all times. He didn't want to be targeted by any madman and always said that if someone shot him, he should be shot down so he wouldn't have to brag about murdering Elvis Presley. as a target, it was something he would have to overcome every time he stepped onto a stage.
And New York was still too big a city, too insecure for a person like Elvis. A few days before they were all ready to leave for New York, Elvis gathered them all at Graceland. "You are all security," he told them and they will be armed. There would be no exception, everyone would be armed even the new recruits like Billy Stanley, his stepbrother. They all had a gun license and had to be prepared for any unforeseen event on stage or off it. They were used to feeling that tension as soon as they stepped into the hotel corridors, on stage or when running out and finishing the show. Because no one would ever really know if anything could have happened at any of these shows, but just the only thing that mattered was Elvis' performance and the outcome for him.
The day before the performances in New York, both Colonel Parker, was already there, and Joe Esposito with Billy Stantey flew in to check everything before the whole team arrived. They were there to check hotel rooms, hotel security, limousine service, dates, times and routes, and to organize security at Madison Square Garden. Everything had to be exact and precise and it was a lot of work for one day, but that way the tour could be better controlled. Everything had to be perfectly timed, everything had to be in its place.
Elvis was very demanding and on tour he wanted to have everything exactly the same as when he was at home, Joe Esposito knew his job well and trained young Billy to know his job. Billy and David Stanley, who were making their debut on this tour, were the the only ones who felt a lot of pressure and fear because they were not used to seeing all this public and the emotion and expectation in the performance of Elvis Presley, whom they still did not know as an artist and how different he was from his own older brother, at that they adored since they were little. Elvis would amaze with his shows, with his voice, with his audience that lost their breath to queue and buy tickets, who cheered him and shouted with any gesture, with his songs.
They saw the artist as great as he had been described for years, but now he was no longer his brother, but a singer on stage that they would be in awe of. The experience was really superior to what they expected and when Elvis asked them offstage, they told him that it had been incredible like any fan. Also in the other cities to act, the technical team, the sound, the costumes, the drinking water adequate, telephones, etc. Everything is important when touring and the slightest mistake can lead to an irremediable error. Fortunately everything would go perfectly and the tour would be an absolute success.

 "Following the Path of the King..."





The Magic of the Show
Jumpsuits June 1972

June 9 to 20, 1972. On Tour

Again the designs of Bill Belew and his collaborator Doucette, for the realization of the Suits that Elvis will wear on the Tour held in June 1972. shirt, with its corresponding cape. Elvis looks majestic on stage and the play of light with his clothing and his voice will make these shows legendary.

ADONIS SUIT
i Wth Gold Lining Cape.
It is a white iumpsuit with five gold square eyelets with gold lining on each side, distributed on sleeves, legs, chest, back and neck, also adorned with 26 plant-shaped patterns. With gold metal studs in the form of hemispheres. The lining of the leg openings in gold. Normally Elvis wore the gold Assistance Belt. It was used in the June 1972 tour, in the 7th Season in Las Vegas, in August and November of the same year. Kurt Russel wore the real Adonis suit in the movie he starred in as Elvis, his father Vernon left it to him for the 1979 movie.

WHEAT SUIT with Belt White Fireworks Suit
It was a blue jumpsuit embellished with gold thread embroidery, circular shapes in black and gold. With pointed tacks they make shapes of wheat or grass, going up on each side of the chest opening and around the neck, on sleeves, trouser legs and on the top of the suit, also behind. On the trouser legs the lining is gold. Elvis used a yellow or white scarf. The cape was light blue with the same drawings as the suit. Elvis used the White Fireworks Suit belt. The suit would be worn on the tour in June, in the 7th Season of Las Vegas in August and in the 8th of January-February 1973. By then he was already wearing the original belt. It was designed for the suit, it was light blue leather was made in late 1972 and has a pattern similar to the rest of the suit done in black with gold colored studs only. The belt has two gold-colored chains in six pains around the belt. It had other names: Light Blue Grass Suit or Cluster Suit.

EYELET SUIT con Capa forro Roja .
It is a white jumpsuit adorned with large square gold-colored metal eyelets with round holes, all over the suit. He wore it in matching stripes down the outside of the pant legs and the outside of the sleeves, on each side of the chest opening, around the neck, and the upper back. Including flat gold metal studs. Adorned with red lining at the openings of the suit. The exterior of the cape is white with the same eyelets and studs as the suit. The belt used would be the "Red Lion", it was the original belt from the "White Pinwheel Suit". He used it on tour in June 1972 and at the Las Vegas Summer Festival in 1972.
In August 1972, he accompanied it with the "Bat Belt" better known as the "Russian Eagle Belt" which was the original belt. It was a leather belt red embellished with five black and white bats on the buckle. It also had two gold-colored chains in eight bows around the belt. Its creators Bill Belew and Doucette called this suit the "Buttonhole Suit" or "Porthole Suit" or "Double Porthole Suit". on tour in June and in Las Vegas Season 7 in August

BLUE SWIRL SUIT o Lucky Suit with Silver Lining Cloak.
It was a blue jumpsuit with hundreds of small round and heart-shaped silver metal studs adorning it and forming a four-leaf clover pattern, for this reason it was called the Lucky Suit. The drawing adorns the outside of the pants on the legs, also on the sleeves, back, chest and stomach, as well as on the Cloak. Blue Cloak with silver lining. Elvis wore a white scarf.Elvis wore a mirror belt, with a jsilver chain in nine bows around it. This suit was designed by Doucette, Bill Belew's assistant.
Elvis would wear it in June 1972, in Las Vegas August, September 7th Season and in 1973, April. It also had an original belt, blue leather with patterns similar to those of the suit with six silver clasps added. They have a thin chain and a thick silver chain, both in six pains around the belt. This belt is known as the "original" but was not manufactured until late 1972 or early 1973.

BLUE NAIL SUIT    o Blue Nail Suit, with Cape lined in White.
It was a light blue jumpsuit with a cape, adorned with five large silver eyelets around the high collar and at the chest opening, with white lining. Around the eyelets were silver studs like nail heads, of different sizes arranged on the arms. , on the trouser legs at the back and on the sleeves. With three white cufflinks on each sleeve.
The cape is light blue adorned with studs and embellishments. Elvis always wore a white scarf adorning the suit. The belt was white in color adorned with five large metal medallions and small metal medallions and studs around the belt and with two gold-colored chains in seven colors. This belt was used on other occasions with other suits.
Elvis began to use it in the Sixth Season January-February of Las Vegas in 1972, in April and June on tours, in Las Vegas August-September and finally in November of this same year.

WHITE 3.PIECE SUIT, BLACK POCKET FLAPS, PAISLEY SHIRT with Cape.
It was a White 3-piece suit, Jacket and pants, Paisley Shirt and Cape. It looked like a casual dress outfit. The jacket had black velvet lapels and pockets with a black button on each side. With three black buttons on each sleeve and one in front of the sash to button. The white pants had an opening on the sides, lined in black. The shirt had a paisley pattern in black, white, gray and brown. Featuring a high neck design and puff sleeves with a ruffle to the wrist.
The cape is black on the outside and has a different cashmere lining on the inside. The adornment belt was normally Gold.
He adorned the suit with a white scarf. The suit was worn in June 1972, in August-September in Las Vegas Elvis used this suit privately, privately on several occasions. It was also called the White Two-Piece Suit or the Duke's Suit. White Two-Piece Suit" "The Duke Suit. Subsequently, several costumes that Elvis wore in Las Vegas were made as a variation of this one.

WHITE TWO-PIECE SUTT, LACES ON POCKETS
This is a two-piece white suit, the white jacket with pockets with white crosses on each side made with threaded laces. With two small silver eyelets on each side of the jacket opening and three white cufflinks on each sleeve. Elvis wore the Gold Attendance Belt. Wearing a white scarf. Wearing a white shirt with little V-shaped patterns in blue all over. The design of the high neck and puffed sleeves with a ruffle at the wrist. He took it in June 1972 and in Las Vegas August-September of the same year..

The contingencies of the Scene June 9, 1972

The first show on June 9, 1972 at Madison Square Garden, would be the only one that would cause unforeseen events and unfortunately Elvis' annoyance and anger. He was always attentive, kind and affectionate with his audience, with his fans, only on very few occasions had he had a problem with them, but he always understood that they were carried away by euphoria, enthusiasm and that their outbursts could be forgive. His arrival in New York would unleash so much expectation that there were queues for days to get tickets, the first three shows were already sold out and a fourth had to be scheduled to satisfy his fans. But it was the first day at the premiere of Elvis's show when the public would become unbearable at the beginning of the show. The public was feverish and wanted to see the performance of Elvis Presley, the comedian Jack Kahane who was the presenter and humorist who had to make the introduction, he began with his show and his dialogues, he always had some jokes that he used to tell but they were not to the liking of the public. 
No one knew if he was disliking the performance or if it was really just that they were eager to see his idol, but the boos and shouts of "go away, we want Elvis" were the deafening noise that did not stop. The scandalous situation was such that Jackie had to tell the public... "You are 20,000 and I am only one", having to leave the scene. They all got very nervous and when they told Elvis, who was waiting to leave, he flew into a rage. He was really angry about the situation because they were treating a member of his team badly For the first time, Elvis who was polite, attentive and above all considerate of his audience shouted angrily... "I can't be polite, just fuck them!" I'm not going to sing for them" and this was his decision.
 Everyone ran out of there to announce what was happening, the fear of canceling the performance and above all to look for Colonel Parker and explain the situation that was happening with great fear that Elvis would not really come out to sing. Tom Parker, his manager, He arrived and asked what the problem was, although he already knew everything that was happening, Elvis was livid, the colonel tried to calm him down and said, "maybe Jackie needs new material..." 
Jackie Kahane had been chosen by the Colonel to be the comic host of the show starting in 1972, because his jokes were clean, familiar and he knew he would fit in perfectly with the group and he did, since he continued until 1977. 
Kahane had already worked for many stars such as Will Masters Trio, Sammy Davis Jr, Tony Bennett... and had been named a featured comedian by TIME magazine. 
When Elvis passed away, he was the one who spoke about him at the funeral. Elvis met Jackie and told her "don't take it personally, but I won't tolerate being treated like this..." Jackie brushed it off. matter, he simply knew that what the public was waiting so eagerly was to see his idol so he finally had to leave the stage. After this, the Colonel convinced him to leave, Elvis sat down and waited a bit, the public he shouted his wait. 
When he got ready to go on stage, his stepbrother Billy was standing next to him and Elvis asked him if he was nervous... even though he said no, it was clear that he was, because he was still a young man of 17 and he was the first time I witnessed his show. Elvis stood up and gesticulated with the rings, something he used to do before going on stage... Trying to concentrate and they heard the stage entrance overture, Elvis stood up, clenched his fists and steadied himself, although they were both nervous. 
Then he said, again almost whispering, "I always get like this before I go onstage." They formed a circle around Elvis, Billy and Ricky Stanley, with Red and Sonny West, as they escorted him to the curtain. At last Elvis would come out before him. public that could not take it anymore and the reception was tremendous.Despite the anger, from the previous situation, Elvis calmed down and finally enjoyed his performance.It would be the first time that Elvis was angry at the attitude of his fans, but fortunately everything would go perfectly.


 "Following the Path of the King..."

Concerts 1972

Appearance and Reality
The Real World of Elvis in July 1972
Linda Thompson 



Sometimes what we see is not real, what seems to be something else... The image we offer to others can turn out to be an "apparent reality". Laughter, gestures, words, manners... Everything can be a tangled web that offers a different face or the hidden face of the true reality. The people around us can also be part of that false reality, but over time the mask is always uncovered and you can see what is behind it... Success, fame, sometimes mask what is true and turn it into something wonderful when it hides the same truth that day by day one sometimes lives in an unreal world.July 1972, Elvis Presley had returned from a triumphant tour, as an artist his records give him great joy, it seems that the moment is on the rise and he receives all the applause. But the reality is different, in his personal life he is going through a difficult moment. Although Elvis smiles and appreciates the moment because obviously as an artist it was his life and his music that he prioritized in his goals, in private, he was suffering the consequences of the separation from him. 
Like many marriages, theirs was pure appearance, it seemed perfect, but the sad reality is that they were increasingly further away from each other and as a consequence that sad decision would come. Surely Elvis thought that it was something indivisible, since his family concept was of unity and he could not believe what was happening, but it was already a fact.
 Although his way of being was optimistic, cheerful, everyone who knew him knew what he was for. It was happening, because deep down, he was a man who believed in the family union and despite being unfaithful, he believed that his marriage would not break. His pride was on the ground and he was looking for other companions but deep down, someone special who would return his laughter, enthusiasm and forget what had happened. 
His friends introduced him to several women, but they did not fit, it was on July 6 when he met a 22-year-old girl, Miss Tennessee, called Linda Thompson. A cheerful, understanding woman who immediately connected with him. Although it took him a while to secure the relationship, he invited her to Las Vegas to the concerts he was going to perform in August-September. 
Through him he would also maintain another relationship, with a Miss who worked as an actress named Cybill Shepherd. She was so busy that it would be difficult to get any further, but just like her, Linda would like her very much. She had a temperament similar to his. Over time, Linda became his partner, his sidekick, his friend, and over time almost his nurse... In his way of being, he conquered all those who surrounded Elvis, becoming also in her friend, they always had her as such.
 The relationship lasted about four years. A beautiful woman inside and out, who filled that void in time that Elvis faced, offering a new opportunity to his destiny. The press echoed their separation, also informing the relationship of his wife Priscilla, with Mike Stone , this would mean the definitive Kao in his pride, so the relationship with Linda would be important from now on to lessen his grief and return the coin. he could not really love any woman and it was difficult for him to be loved as he had acted until now in a stable relationship.


 "Following the Path of the King..."



The Unexpected Success


End of October 1972, Elvis projects the concerts in a small but intense tour that he will carry out in November. His success in them is clear because what seemed far from happening was happening and after the success of the album "Elvis As recorded at Madison Square Garden" and the single "Burning love", what no one had anticipated was happening. The rise suddenly, in Elvis's recording career that was in full swing. The logic was to continue with this and release more albums in order to continue this rise, regardless of performing their concerts, the documentary film "Elvis On Tour" was also going to be released, with absolute success and it seemed that everything was going in the same direction. Although the economy was already beginning to force concerts, due to the recent divorce, it was necessary to look for new commercial material to publish and Colonel Parker was already preparing what would also be an unprecedented event, the Satellite Broadcast of a Concert that millions would see. of people from Hawaii. It would be in January 1973, but first they had to offer new disc publications. At the end of October 1972, a single and an Lp were published. The single with the songs "Separate Ways" composed by Red West and Richard Mainegre and "Always on My Mind" composed by Wayne Carson, Mark James and Johnny Christopher.

  Elvis Presley Separate Ways - YouTube  
Elvis Presley - Always On My Mind - YouTube  
 
Both songs were recorded at studio C in Hollywood, in March after their separation. It was a difficult time for Elvis in that his mood was very low and although he tried to be in a good mood. The single reached number twenty and sold more than 500,000 copies and the song "Always On My Mind", became an international success due to the popularity that it would reach. Two wonderful songs that reflected the desolate state of Elvis, in his voice and in his interpretation. At a time when he was very sad about his personal situation and when he chose songs in which he conveyed all his sensitivity, his loneliness, his regret, but most importantly everything he felt Really. Both songs are wonderful scores performed in a masterful way. But there was a general error in the commercial behavior that they were committing in the year 1972 and since then. Any artist who wants to stay at the top and continue to have success has to publish new material every x amount of time, make new albums, because the repertoire dies or becomes tiresome. The concerts were a good way to earn money and maintain popularity as happened with Elvis, but really the material ended up being the same. Normally the artists of the moment every three months had new songs that they launched on the music market, Elvis hadn't been recording anything new since March, all year.
 It is true that he added some songs in his concerts, but not adding new songs, originals for him, to sell records was a fatal mistake that over time would take its toll on his economy and also on his state of mind . Because the artist needs challenges, new expectations to grow and give the best he has, his creativity. Singing the same thing every day gets to tire the artist and eventually the public. In the case of Elvis, it is true that the concerts he performed continued to function, because his audience was so loyal that he asked to hear the hits over and over again, but it would have been a good time to innovate and grow. 
The new year should bring new Paths but it would be necessary to make changes to change the commercial future of his records. strategy. The Camden label, RCA's low-budget label, had been putting out Lps with records that had nothing new, they were songs from movies, etc. They were not giving benefit but they did not require much expense either. The Colonel taking advantage of the recent successes, took advantage of the songs of the single "Burning Love" and "It's A Matter of Time" with old songs, bringing them together in an album entitled "Burning Love and Hits From HIs Movies", with a concert photo. 
Although the album marked a dubious but groundbreaking trend in the industry, as it was the first time a current hit single was included on a budget-label album. The result was the expected success, 700,000 copies were sold and reached number 20 on the Billboard. The sales would be even without having more new songs, a pity that the songs from March had not been included. with the Camden label. This eventually was not a proper Path, but Elvis was not deciding on his publications and as always Colonel Parker did what he believed most advantageous. 

"Following the Path of the King..."


























Elvis On Tour. November 1972

From Tupelo to Memphis 72.November 1972
https://go.ivoox.com/rf/80288755


The year 1972 ends, with the tour carried out in November by Elvis Presley, which announces to the world an event that will take place in January 1973. The retransmission via satellite of a charity concert, which will take place in Hawaii. Although it has been a very hard year going through his separation, a time of emotional ups and downs, the positive you see that in his artistic life he was in a period of success and good reviews, this will encourage and worry him. Elvis was always aware that despite recent successes, this event would be the most important he was going to do, being broadcast live to millions of people, the responsibility was very great for him. But the year ends with the celebrations of Christmas in the company of his daughter Lisa Marie, with his new partner Linda Thompson and his friends. We will talk about this tour and these days in the next program, "From Tupelo to Memphis 72. November 1972". Next December 31 to end year. Remember... We are living the History 

"Following the Path of the King..."
















The pride of man
November 15, 1972. Long Beach Civic Arena

The Tour of the month of November 1972 meant again for Elvis, another challenge like all his concerts, Elvis always tried to do good concerts and this day was very special for him, not only as an artist, but also as a person, as a father since his daughter was in the audience. On November 15, 1972, Elvis would perform at the Long Beach Civic Arena to 14,000 people for the second of two nights. There are quality recordings of this performance from the public, with which we can appreciate the quality of his voice in concert and the expectation that there was. Elvis was wearing his new white Saturn jumpsuit and was putting on a good show. Of all the things he had in his life, apart from his great love for music, what made Elvis Presley happy the most was enjoying his little one. Although he was already in divorce proceedings, fortunately he could see his girl when he wanted, since his ex-wife Priscilla was not putting any impediment. He would be very happy because he brought his daughter Lisa Marie to one of his concerts for the first time.
During the performance he said: "My little daughter is in the audience and I dedicate this show to her. She is down there. This is the first time she has seen his dad make a fool of himself in front of fourteen thousand people. As always Elvis was modest and his little girl was his greatest happiness and pride, surely he put on a magnificent performance. The next day traveling with Elvis, Linda and Lisa Marie fly from Los Angeles to Honolulu with a large group including James Caughley, Joe Esposito, Gee Gee Gambill, Charlie Hodge, D. Nichopoulos, Sonny West, Red West, and the three Stanley brothers, Ricky, David, and Billy. The trip to perform in Honolulu and ending on November 18, 1972, his short concert tour. The Long Beach show was reviewed in two local publications. The journalists noted that Elvis seemed to be overcoming his own discomfort with his wife's separation from him and making the performances well received by the public. His personal life was being publicized, but fortunately this was not a problem since Elvis had a new partner, who traveled with him everywhere, for him it would be in a way a defense before the press so that they would not continue talking about the same. Fortunately, the relationship was being a balm for him and continuing to perform in Concert was his life.

The show was described as fun, full and with a varied rhythm, a good period in his career as an artist, including songs with good performances, highlighted the good job by James Burton on lead guitar. Another comment from the Long Beach press; “…He is the King and even if he seemed a bit bored with the audience; his hackneyed routines, painfully trained and elaborate, were still good. Gone is the mockery. Back, gyrating hips, neatly tucked into a cinch he wore under a white jumpsuit with silver studs and a garish gold belt. His wife also left. And on Wednesday night, the King seemed a little wistful, a little worried about his own problems to really engage in a dialogue with the audience... his voice is mature, he is enriched by life. His smile is warm and magical… “The Valley News;“… Elvis Presley managed to put on an inspiring performance last week at the Long Beach Arena despite lackluster supporting acts and a hard sell distracting from his fans. posters and records before the show and during intermission.He thrilled the sold-out crowd of 15,000, with many of his early hits along with some more recent songs...Elvis used everything in his bag of tricks, including wild hip thrusts, exaggerated vocal style, and even throwing several of his scarves into the crowd. Still, despite the drama, Presley has a rock-gospel voice that no current singer can top. His showmanship only adds to to entertainment, helping to make Elvis concerts more than just a musical pleasure.
Overall, the Elvis Presley portion of the show was quite enjoyable and was good enough to overcome the weakness of the concert package as a whole.
"Although they exaggerated the note, his recognition as a singer and professional was far above the show he performed. The truth is that the repertoire that was already known and the fact that the show was more or less the same would be what they could criticize. But Elvis was above all this, his daughter had seen him act and he was also traveling to his beloved Hawaii, his mind was already on the future satellite project that was going to be carried out in January 1973.

"Following the Path of the King. .."

An open door to hope
"The Wonder of you"

In these concerts of November 1972, Elvis would include songs that he had left behind in his repertoire, for example this score, "The Wonder of you", composed by Backer Night. Music is significant in the moment, it always reveals the mood , the feeling, the doubt, the hope, the pain... through a song we can speak much more than the words themselves and express what we cannot say in person. Elvis had already sung this song before because he liked it as a song, but it is very possible that he would pick it up again at this time, because his mood was changing and he was receiving a lot in his new relationship. A wonderful song, one of those that he likes to hear from from time to time, which recognizes the help, compression. It was evident that Elvis was changing a little from his dramatic and painful attitude of the previous months and was already being influenced by a more optimistic spirit. His relationship with Linda Thompson was taking its toll on him. And I really recognized that feeling by singing this song that described how wonderful it is to be understood...The song was recorded on February 19, 1970 live at the International Hotel in Las Vegas, for release on the "On Stage" LP, which RCA planned to later release as a second live album. It would also be released in April 1970 as a single as the A-side, along with Mama liked the Roses on the B-side. 
It was a commercial success for Elvis and he also had great admiration for this song made popular by Ray Peterson in 1959. It took him to the top, to be number one in England and the Top 10 in the United States. The version that Elvis made in 1970 was quite free, it was a very special interpretation, a song very close to the public and very emotional and endearing. Likewise in 1972, he would interpret it in a close way and with more reason to be. It was the pianist, Glen D. Hardin who asked composer Baker Knight for this song for Elvis to perform and Elvis liked it. Backer Night was a great admirer and fan of Elvis and was delighted that he would perform one of his songs and when he heard him sing it on scene was impressed by his performance. 
The single sold nearly a million copies over a 12-week period, but barely broke into the US top ten. In the UK, it held the top spot for a full six weeks. The song appeared on the album "On Stage". And it was included in "Worldwide Gold Award Hits Vol. 2", "Greatest Hits Vol. 1", "Walk A Mile In My Shoes", "The Essential Elvis Presley" and "Viva Las Vegas".In "Platinum-A Life In Music", "That's The Way It Is" ,"Special Edition" (with DVD video released Elvis #1 Hit Performances). "Live In Las Vegas" and "The Live Greatest Hits". Also FTD "Polk Salad Annie" and on "The Way It Was" or "Elvis Aron Presley", "Elvis Live", and on the FTD albums "It Midnight", "Big Boss Man" and "Dixieland Rocks". A curious anecdote was that Elvis asked Ray Peterson, who made this song a hit in 1959, if he could record it! Ray told him: 'You don't have to ask my permission, you're Elvis Presley! '... And Elvis replied: 'Yes, I know. And you are Ray Peterson'... It was clear that Elvis always kept his humility, his simplicity and above all he respected his colleagues, all the artists. A quality as a human being that made him special. That would be his greatness. 
Elvis Presley, the man, the myth... the King!


 "Following the Path of the King...

JUMPSUITS.
TOUR IN CONCERTS. NOVEMBER 1972

Blue Nail Suit, Silver Lining Cape Original Belt Adonis Suit, Black Lining Cape. Golden Belt.
 Red Pinwheel, White lining layer. Golden belt. 
Thunderbird Suit with Blue lining cape. 
Jack Lord Black Conquistador Suit Belt, Red Lining Cloak. Original belt. 
Royal Blue Fireworks, silver lining layer. Owl Belt Aztec Star, with silver lining cape, gold belt or with White Fireworks belt 
Saturn Suit, Gold lining cape. Golden Belt..

JUMPSUITS:

"Blue Nail Suit" o Blue Nail Suit, with Cape lined in White.
It was a light blue jumpsuit with a cape, adorned with five large silver eyelets around the high collar and at the chest opening, with white lining. Around the eyelets were silver studs like nail heads, of different sizes arranged on the arms. , on the trouser legs at the back and on the sleeves. With three white cufflinks on each sleeve. 
The cape is light blue adorned with studs and embellishments. Elvis always wore a white scarf adorning the suit. 
The belt was white in color adorned with five large metal medallions and small metal medallions and studs around the belt and with two gold-colored chains in seven colors. This belt was used on other occasions with other suits. Elvis began to use it in the Sixth Season January-February of Las Vegas in 1972, in April and June on tours, in Las Vegas August-September and finally in November of this same year.

"Adonis Suit" con Capa de forro Dorada.
It is a white iumpsuit with five golden square eyelets with golden lining on each side, distributed on sleeves, legs, chest, back and neck, also adorned with 26 plant-shaped patterns. With gold metal studs in the shape of hemispheresThe lining of the leg openings of the pants in gold color. Normally Elvis wore the gold Attendance Belt. It was used on the tour in June 1972, in the 7th Season in Las Vegas, in August and in November of the same year.
Kurt Russel wore the real Adonis suit in the film in which he starred as Elvis, his father Vernon left it to him for the 1979 film.

"Burning Love Suit" o "Red Pinwheel Suit", with white lining layer. Gold assist belt.
It was a red or maroon jumpsuit with the same pattern and design as its predecessor in the grinder The fabric of the pants opening is white, as are the cufflinks and eyelets around the chest opening The outside of the cape is red With a pattern similar to the other pinwheel models, the interior is white. The difference lies in the gold-colored diamond-shaped studs, which it has as decorations. It was normally accompanied around the neck with a white handkerchief or scarf. The belt that Elvis used was the gold one for assistance, since the monkey did not have an original belt. It was called Burning Love, because Elvis was photographed with it and on the cover of the single of the song "Burning Love" said photo would appear .The first time it was used was in January-February 1972 during the concerts in Las Vegas, on the April tour and for the last time it was used on November 10, 1972 in El Paso, Texas.


"Royal Blue Fireworks Suit with silver lining layer. original belt
It is known as Royal Blue Fireworks Suit, also called "Owl Suit" It was a Royal Blue suit with five silver eyelets on each side of the chest and also adorned the neck. The eyelets are lined with a silver fabric on its Inside and around them are eight, small star-shaped metal ornaments, also in silver. Star-shaped studs in various sizes make a kind of fireworks around the suit, on the outside of the sleeves and pant legs, and the front and back of the top of the suit. The lining of the pant leg opening is also silver. On the cuffs of the sleeves there are 3 cufflinks. Like the suit, the Cloak had decorations in a fireworks design and the interior with a silver cloth. The royal blue suede belt made of leather, adorned with gold and silver studs, in different sizes, which were star-shaped. With four metal owl heads surrounding the belt. In addition to wearing gold and silver chains, he dressed in Las Vegas in January-February 1972, also on the tour in April and November of the same year
.

"Traje Thunderbird and cape in blue lining"
It was a white jumpsuit embellished with two large bird patterns on the front and back. These were made in costume jewelry in pink, red, and turquoise, with small, round, pointed gold-colored studs and flat round studs painted in pink. These also adorn around the neckline and on the outside of the sleeves, also on each side of the opening. on the pant legs and up to the large belt. The lining fabric of the pants is white, and for the first time, Doucette had also decorated the lining with jewels. The cloak has a large bird pattern on the outside, with outstretched wings, made with the same type of jewels, and the inside of the cloak has a blue lining. The design of this suit was inspired by an ancient legend of the natives. Americans about giant birds that could fire lightning from their eyes and fire thunder when they flapped their wings. The Jack Lord belt. It was designed by Bill Belew's assistant, Gene Doucette. It was leather that Elvis used with this suit in 1972, it was white with many patterns in rhinestones of different colors. With three brass chains, in seven pains around the bottom of the belt. This belt did not have a name because it did not match any suit and it would finally be called Jack Lord, because Elvis gave it to his friend Jack and his wife, in Las Vegas in the 8th season of 1973. Elvis liked this belt very much and He always wore it because of this he gave it to Jack. Elvis wore the "Thunderbird Suit", "Stone Eagle Suit" or "Phoenix Suit" for the first time on November 11 in Oakland, California and later on November 17 in Honolulu, Hawaii at 1972. An original belt was made in early 1973 that has four bird patterns similar to the ones on the suit, only smaller. Among these are studs and jewels in patterns similar to those on the suit. At the bottom of the belt are two golden chains in six bows around the belt. This suit was worn at least once in Las Vegas on February 17, 1973 at the dinner with the new belt. And once on tour in April of the same year, maybe also in Lake Tahoe in May. It was used once more, this time in Atlanta on June 30, 1973, where Elvis gave the suit and belt to a five-year-old boy named Robbie Barnes, who was in the audience dressed in a white jumpsuit.


"Black Conquistador Suit" With red lining cape and an original Belt.Known by other names such as "Dump Suit", "Black Diamond Suit" or "Mexican Tile Suit", etc. Black jumpsuit or jumpsuit, decorated with silver, gold and red costume jewelry. Also with studs of various sizes and shapes. The pattern design was inspired by the Mexican tiles of a bathroom. For this Gene Doucette nicknamed it as "Dump Suit"Adorned with this design on the outside of the sleeves, on the neck and around the top of the suit. Also on the trouser legs, which also have black lining in the folds. The cape is black with the same patterns and jewels, lined in red. The original belt was black leather with five red squares with a gold head ornament in the center. With five gold and black square medallions and pyramid-shaped studs, both on the top and bottom of the belt. With two chains in six bows, gold in color at the bottom of the belt, the image they wanted to give with this suit would be that of Elvis as a Bullfighter. Elvis wore this suit for the first time on November 12 in San Bernardino, California and on November 18 in Honolulu, Hawaii in 1972. It is believed that it was also used in Season 8 in Las Vegas, in January-February 1973.

"Saturn Suit" with silver lining layer.
It is also known as the "Planet Suit". This jumpsuit is a white and gold jumpsuit adorned with colored studs in the shape of stars in different sizes and with pointed, round shapes that simulate shooting stars. Also adorned with a large silver-colored dome and gold-colored trim to simulate the planet Saturn. All in the upper part of the suit, also around the high neck and on the outside of the sleeves as well as on the side of the suit. In the folds of the pants it was lined with silver cloth.
The white cape is also decorated like the rest of the suit, with a silver lining. The belt that Elvis wore was the gold attendance belt, when it was used on the November 1972 tour. Later, the original Belt from the suit itself was used, in the January-February 1973 Las Vegas Season. The first time he dressed was in Long Beach on November 15, 1972.
The original belt would be white leather with a comet and shooting stars decoration similar to the suit and also has a special decoration that simulates a ring with a star. The belt had at the bottom two golden chains in six arcs around it.









Elvis Presley. Press conference November 20, 1972

Elvis had an interview in Honolulu, Hawaii to learn a little more about the Satellite Concert that was going to take place on January 14, 1973. Although a small press conference had already been given on September 4, 1972, with Elvis, Parker and RCA President Laginestra in Las Vegas. In which the announcement of this event was already advanced, also announcing that an album would be issued simultaneously throughout the world. On this first occasion, Elvis gave a somewhat confused image to the journalists, who said that he was not well understood.
https://www.youtube.com/watch?v=RI4Ulj8YtfI

On November 20 he would have a press conference in which he would be asked several questions: He was asked about the location of the future Satellite Concert, which would take place at the Honolulu International Center, to which Elvis replied that there could be no A better place. About the recording and the sound in the room, Elvis said that they would work on this some more to improve it.
They asked him if he would try to speak in any other language than English and he replied that he would speak in English, because although he had sung something in Spanish or German, he was not sure if he would do it in another language. He was also asked if he thought his style had contributed anything to the new morality they had at the time? Elvis and the rest of the people who were there laughed, Elvis just said "Thank you". It had been announced in the press release that it would take place at 12:30 in the morning and Elvis said that was correct.
He explained that the conditions were being negotiated, but it was going to be a benefit concert for Kuy Lee's Cancer Fund. He was asked about an alleged comment Colonel Parker had made, which had hinted in the past that he might be considering retiring at the height of his career. It seems like getting to a million and a half... a billion and a half people at a time would be considered the peak.
Elvis said, "Well, I... that's just a rumor because I'm going straight to Vegas when I finish that." Colonel Parker, said, "I can answer that. Did you say it's the top of the race? a long way to go." Everyone laughed. They asked him about the duration of the concert, which would be more than an hour.
They told Elvis about artists they have seen come and go, yet Elvis Presley is there for seventeen years. "What do you think?" Elvis said that he prayed. They also told him that they had witnessed his performance on November 18 where they had observed that Elvis had won and grown in his performance. Elvis thanked him and said that he enjoyed the Live Concerts. He was also asked if he had bought any property in Hawaii, to which Elvis would say no. It is curious to think that Hawaii was one of his favorite places where he normally went on vacation, but it is true that he would not buy a house there.
They told him about Elvis On Tour and Gospel tunes, to which Elvis explained that Gospel had always played an important role in his life and he always enjoyed singing after concerts in his suite. About his religion there were many rumors... Elvis said that he had studied many books on religion and that he grew up going to the Assemblies of God. About marriage in his future, Elvis said that there was not much to say, what really mattered to him was his three-year-old daughter. In general, Elvis was always very careful about his private life and did not mention his relationship at the time, nor his thoughts on separation and divorce. His interest was his professional life, his music and being able to satisfy his public. And this is what he was to come in January 1973.

"Following the Path of the King..."
.



   

1973






The Year of the Ups and Downs






1973

"Aloha From Hawaii"



The concert that made history

January 14, 1973 Satellite Concert
click on the link:






8 Las Vegas Season

 HOTEL HILTON
January 26 to February 23, 1973 enter the page, Las Vegas to learn about all the Seasons in Las Vegas.


ELVIS PRESLEY   TOUR APRIL 1973

The Year of Changes
The Designs of Destiny

1973 would be a variable year, for Elvis Presley, of ups and downs in his health, in his state of mind and his personal economic situation.
Although he had great artistic moments, unfortunately, he also had great lows.
April would be one of these great moments, because he would be back in physical shape. His voice sounded powerful and with all delivery, driving the audience crazy again.
A few days when Elvis felt more sure of himself, due to the recent delayed broadcast of "Aloha From Hawaii" on TV and his Grammy award or because he had recovered physically, his health was the most important thing.
Everyone was very worried about Elvis, about these ups and downs and the general mood swings that he had. They were associated with his medication, because Elvis was an expert in medication, symptoms, etc. He was prescribed by several doctors at the same time, for different ailments, but his official doctor, Nick, had forbidden him so much medication. But since everything was officially prescribed, he couldn't do anything to prevent it.
His future depended on Elvis himself, since he was choosing a Path difficult to predict, despite all advice and regardless of future consequences.
Elvis had a very particular idea on this matter, although he had suffered from insomnia for years, he tried to isolate himself or relax, to rest through medication, which ultimately did not achieve anything.
Being in shape was difficult without rest and his body, he would finally begin to suffer from so many drugs. Everyone believed that Elvis was an oak, from now on the situation would begin to change.
The economic situation did not help either because Elvis was suddenly spending thousands of dollars on gifts, cars, jewelry or whatever he wanted, adding the conditions of the divorce and that disastrous contract that he signed, selling his recorded music until March 1973.
Elvis never talked about his economic conditions, nor about what he signed for RCA or his agreements with the Colonel. On this occasion Jerry Schilling and George Klein were informed of the sale of his music, but when it was already signed and nothing could be done.
Jerry would say that Elvis was very happy because he thought it was a good deal, because of his music, although Jerry did not see that Assignment of rights as correct, he no longer wanted to disappoint Elvis. It was clear that he had no commercial judgment or vision of the future and worse, that he did not value his work so great and special for others.
George Klein went directly to complain to the Colonel about this scam, to which Parker replied that Rock songs no longer sold or would be of interest. Although George was angry with him, he couldn't tell Elvis. He knew the music market very well and knew that there was a very important change in technology that was going to change the course of many artists and this deal would harm Elvis, because he would never earn a penny more for his work prior to April 1973.
In spite of everything, Elvis would perform good concerts on this little April Tour and nobody wanted to ruin him.
his mood.

"Following the Path of the King..."

I recommend you listen to this iVoox audio!
From Tupelo to Memphis 75. Tour April 1973

https://go.ivoox.com/rf/84912157

El Triunfo knocks at the door again
Tour April 1973
Elvis Presley

Elvis again on tour of Concerts, he would perform 12 Shows, in which he once again demonstrated his worth as a singer, as an artist his show would be a success. He was already safe, stronger and his voice fully restored, since he sang in Las Vegas where he had to cancel concerts. It is true that he also helped that it was a week only of performances, fortunately, it would not be a great effort and the best of his repertoire could be made. Elvis visited several cities, which years ago were very critical of him, for example the city of Seattle, in San Diego. There they criticized his way of moving, his swaggers and his voice, it would be in 1957 when the traditional way of being did not admit the new artist who would reach the top. In April 1973 they waited for him with open arms, wanting to see him in live to confirm that the artist had grown even bigger over time and his voice had matured with age.
 In the voice of the press: "Last night's Presley concert at the Seattle Center before an audience the size of a city of some 6,800 fans confirmed the fact that the Tupelo, Mississippi native still has whatever he's got. Vegas had nothing to do with the April tour. ace. His voice had regained its tone, his warmth and there was more vitality and pleasure in the performances, his attitude was dedicated and sincere, as it had always been. The musicians got involved in their performance with Elvis and the support was also important, because they saw him confident and with a voice to overwhelm with his songs. 
The chosen repertoire did not risk anything, that is, they really were songs that he had already sung in so many occasions that I could have interpreted without thinking and without feeling. But although it was repetitive, it was not for this reason that it was insensitive to interpretation. There was no new theme and also the recent ones included, such as ""Steamroller Blues", "Fever", sounded in an incomparable way.I would perform "How Great Thou Art" again , triumphantly, after the Grammy won for his inspirational interpretation.And also Songs that the public liked to hear a lot like "What Now, My Love", which Elvis magnified with his voice.
Sometimes he dramatized the song with words, he did not sing , he did this on occasion, also with the song "You Gave Me A Mountain." Elvis would take his daughter back to one of his concerts on the 24th, in Anaheim, with Linda Thompson, with whom he got along very well. .The sale of tickets was a complete success, not much publicity was needed, since the Concert held in Hawaii Via Satellite had recently been televised in the US, so everyone wanted to see Elvis in person. 
It was also important knowing that the audience was he varied, young people, mature, even elderly, of any race and social status, it was curious to see that Elvis attracted all audiences, without differentiating the interest in his show. Things had changed so much since the first concerts, that the press is a bit out of place with this diverse public. This was highlighted in the press at the time, for example in The Seattle Times, by Patrick MacDonald who said: "If Norma Rockwell wants models for a portrait of contemporary Americans, all They were there: young, old, rich, poor, black, white. It was completely stunning and refreshing, and detailed proof of Elvis' huge popularity.” Steve Chensvold of Seattle added, “Presley makes money and makes people happy. Perhaps, as the East Germans suggested, he is a psychological tool. For some, his youthful appearance and voluntary movement fill a void" in their lives. In the final analysis, this is what art and music are all about." An absolute hit for Elvis Presley.


 "Following the Path of the king..."

TOUR APRIL 1973.
Anaheim concerts.
April 23 and 24, 1973. Elvis Presley

 


The interventions of Elvis in the other concerts of the Tour would be well received by the public and the press.
In the City of Anaheim, the press by Kim Oritz, guest of the Bulletin, once again reaffirmed the figure of Elvis Presley as "King of Rock"
that overwhelms the crowds at the Anaheim Convention Center. He said Elvis lit up the stage in his beaded white pantsuit.
The throbbing music of "2001" - he said "was a fitting introduction to the man whose genesis was "Hound Dog" and who has left an indelible impression on the evolution of Rock and Roll".
Recalling the past, about millions of records sold years ago, they said that Elvis' Pelvis, referring to his movements, seemed to be gone. Elvis maintains immediate control over his audience from his very first song, "See See Rider," until his end of the show.
The work of the orchestra conducted by Joe Guercio was also praised, which they described as exceptional.
Also the support of his own musicians, with James Burton and the vocal accompaniment, of JD Sumner with The Stamps and The Sweet Inspirations. Soprano Kathy Westmoreland was named for her vocal technique as an excellent contribution to Elvis's singing, in songs like "How Great Thou Art."
In short, a success without a doubt, in these performances in Anaheim.
https://youtu.be/hvDKRJZ8ceE
https://youtu.be/PfougLX7ORk

"Following the Path of the King..."

Tour April 1973.
April 25. Fresno, California

In this April 1973 Tour, there was a lot of interest in the concerts that he was going to perform, the press was aware of his performances in order to offer his news to the public. In the city of Fresno, the criticism about the concerts that Elvis Presley performed on April 25, 1973, by David Hale in "The Fresno Bee", were descriptive of the moment. He first recalled that Elvis had been a truck driver almost 20 years ago, reaching success, they said then that he could never last and then, in 1973 he was still considered the biggest concert attraction in the country. Does Presley, now 38, own that allowed him to break all records for a single attraction at Fresno's Selland Arena? The gross of about $120,000 for two shows, yesterday, more than double the previous record held by a combination of live televised boxing match starring Ali and Frazier". 
If we had to answer, the answer would be easy, because Elvis was a different artist, innovative, special from the rest. His voice offered unmatched talent in interpretation, quality and sensitivity. But it wasn't just the talent, it was the depth in the singing and the professionalism of a great artist, who also exerted a certain magnetism on stage, an attractiveness so impressive that it left its mark. In addition, Elvis knew how to evolve in his time, mature keeping his legacy alive for years, to cross the barriers of time... 
As a professional, his extreme care and dedication to his audience, with love and gratitude, grants him their loyalty, despite his humility and his fear of losing his place in the hearts of his fans. David Hale gave this explanation: "Ask that 19-year-old girl with the dazzling eyes, who continues to stand there staring at the stage long after Presley has left." gone, clutching her $5 Presley "Super Souvenir" poster, "I don't know what's on it," she said, "I just know it's there." Well, that's it. They came to affirm it in fur coats and night, in miniskirts and gold and orange pantsuits, middle-aged women with husbands in tow, secretaries under 30 with bouncy hairdos, and boys and girls who weren't even around when Presley first exploded onto the national consciousness. in the middle of the day 1950s. "Describes how Elvis ushers in his show, the lights go out and without any announcement, the music played by the band majestically announces the arrival of the King. The grandiose opening theme of "2001: Space Odyssey", dramatic and impressive, provokes the cries in crescendo as Elvis exits. crotch, very gently, looking up through heavy eyelids. A 15-year-old girl said of him, that the pictures didn't do him justice, and neither did the television. Elvis's voice can be heard strong and steady , at all times.
 When someone insistently yells at him, Elvis turns around and answers, jokes, is attentive. In addition, he trusts himself with the band, he relaxed and also matched his performance, his movements. 
He thanked the public as always and ended with his open cape, causing more shouting and applause. as always the deep voice announcing: "Ladies and gentlemen", "Elvis Presley has left the building..."


" Following the Path of the King..."



JUMPSUITS TOUR APRIL 1973

Again the designs of Bill Bellew and Gene Doucette, the novelty is that Elvis would wear these suits for the first time: "Snowflake Suit", "White Nail Suit", "Fire Suit", the rest were suits that he had worn in the Aloha From Hawaii, in the 8th Season in Las Vegas January-February 1973 and in the November 1972 Tour, etc. 
In the same vein, dresses with colored stones and ornaments, which over time follow more striking patterns and with more weight.

Jumpsuits April 1973

"Snowflake Suit"  with Cape Turquoise Cape


It was a white jumpsuit with snowflake patterns, there was an earlier one that Elvis would wear in November 1971. The two suits had similar patterns, but the rhinestones that adorned them were different. There are two snowflake patterns in the center. , in the upper part behind in the back and in the neck. Also on the outside of the sleeves and below down each crease of the legs, the end lined in turquoise. These patterns are adorned with gold-colored rhombus-shaped studs, also with pyramid-shaped studs. Ornaments in imitation of oval diamonds, in different sizes of blue or turquoise, they are called northern lights and they had a blue tone with a titanium layer that gives them shades. 
The white cape with turquoise fabric lining, with ornaments similar to the suit These are called Northern Lights and have a specialThe white leather belt, it is adorned with four large colored medallions with the same studs and rhinestones as the suit. With two rows of silver and colored chains in six arcs around it. "White Blue Snowflake Suit" or "Stone Snowflake Suit" were other names for the suit. 
Elvis first wore it on April 26, 1973 in San Diego, California. believed to have been used in Lake Tahoe, in May and Lo 3 ​​and in June July of the same year.

"Aztec Star Suit with Yellow lining cape""


Also known as the "Tiffany" Jumpsuit, the reason was that Elvis once said that it looked like it was bought at Tiffany's. This Jumpsuit was a light blue jumpsuit, adorned with gold studs in different sizes and star shapes. They were arranged on the back, on the chest, with eight blue jewels in the center. Also the high neck was decorated in the same way, as well as on the outside of the sleeves and on the sides of the legs, in the folds the lining is silver. 
The cape was light blue on the outside adorned with a large star and similar to the design of the suit, with silver lining. With the suit Elvis wore the gold attendance belt. The suit was worn for the first time in Long Beach, California, on November 14, 1972.
 A photo of the suit in this concert would come out as the cover on the "Moody Blue" LP. When he performed in Honolulu on November 18, he wore the "White Fireworks" belt, to throw it into the audience during the performance. 
An original light blue belt with large golden medallions around it, with golden studs in a pyramidal shape. With three golden chains making six bows, at the top of it. It is believed that it was also used in Season 8 of Las Vegas in January-February 1973, with the original belt. Also on the April 1973 tour in Fresno.

"Today SuitYellow lined cape"


Pharaoh Suit "Pharaoh", "Egyptian" also known as "Mayan Suit"It is a white suit with a patterned design that resembles the ornaments that the pharaohs wore, according to Doucette's design, although it also had Mayan influence. It was arranged around the neck, back and chest. Also adorning in a circle placed on the shoulders, unlike the neck with square patterns on the back and chest opening. Also on the sleeves with circular patterns, on the elbow, also on sleeves and outside of legs. On the legs the fold in yellow lining. 
The patterns are made with studs in the shape of a circular, oval, triangular and square pyramid in gold and some in turquoise. 
The cape was white on the outside lined with yellow fabric. The belt was original white leather adorned with six golden medallions that represent to a man with a spear. Around with studs and rhinestones just like the suit. The original belt was only used in the first season in Las Vegas 1973, because he gave it away.
 Later Elvis used "Fire Suit Belt" with the exception of Pittsburgh on June 26 where he used "Nail Studded Belt" .The costume was worn in the 8th season of January-February 1973. Also in the April tour of the same year and again in Lake Tahoe in May. 
The last time on tour in the city of Atlanta, on July 3, 1973.

Jumpsuits April 1973

"Nail Studded Suit" o "White Nail" with cape lined in gold.

It was a jumpsuit with ring patterns around the top, at the neck, and around the sleeves. The rings each had three rows of small hemispherical studs that were gold in color and also with transparent brown rhinestones. other larger oval stone ornaments in brown, with a layer of titanium that gives it a colorful shade, depending on the angle and light. With similar patterns on the rest of the suit and on the kick it bore similar embellishments, with the pleats lined in gold with the same studs and rhinestones. "Nail studded belt" original has four gold circles, colored medallions, two of which are on the belt buckle.
 Elvis first wore this suit during the April 1973 tour. In addition to the Original belt, Elvis wore the Pharao belt. During the June/July tour, Elvis wore the belt from this suit with the suit "Pharao". This suit had a counterpart: Nail Mirrored Suit. It only had a small difference compared to this one: where this suit has big stones of different colors, the "Nail Mirror Suit" has small mirrors.

"Orange Sunburst Suit" Orange lining layer.

It is also known as "Orange Sunburst Suit", "Sunlight Suit". It was a white jumpsuit with sunburst or sunburst-like drawing design with its center, in the middle of the chest, extending in various directions. . The design was the same on the back. On the legs, the kick pleats lined in orange. The embellishments of the designs were rhinestones in brown, with light dark orange, and studded.
 On the outside of the sleeves there are also lightning bolt extensions. of sun from the chest and back. Adorned with patterns made with round pointed, flat and oval gold, yellow and transparent studs. 
The cape was white on the outside, with the same design as the suit, lined in Orange. The original belt was leather with a design of six clams. golden color distributed around the belt, two more in the buckle of the same.
 Embellished like the suit, in rhinestones and studs. Adds two gold-colored chains in six bows around the belt. 
First worn in Las Vegas Season 8. January-February 1973. without the cape) and twice on the June 1973 tour. It is not clear if it was dressed in Lake Tahoe 1973, in the summer and in Las Vegas 9 season. It was used on the March 1974 tour.

"Blue Rain Suit" with cape lined in Blue.


It is a white jumpsuit with patterns drawn in gray or metallic vertical lines and dome-shaped gold studs and dark blue rhinestones in various sizes, which simulate rain. These patterns are arranged on the chest, back, around the neck and the outside of the sleeves and the legs of the pants. In the folds of the legs, with dark blue lining. The cape is white with the same prints as the suit and inside it is lined with dark blue fabric. The belt was white leather with five golden squares with holes. 
Adorned the same with studs and rhinestones, like the suit. With two gold-colored chains in six bows surrounding the belt. Also known as the "'White Blue Rainfall Suit" or "Nashville Suit" 
Dressed in Las Vegas in January-February 1973, also on the April tour. 
Believed in Lake Tahoe and June/July 1973 tour.



"Blue Swirl Suit" or "Lucky Suit" with silver-lined cape

It was a blue jumpsuit with hundreds of small round and heart-shaped silver metal studs adorning it and forming a four-leaf clover pattern, for this reason it was called the Lucky Suit. The drawing adorns the outside of the pants on the legs, also on the sleeves, back, chest and stomach, as well as on the Cloak. Blue Cloak with silver lining. 

Elvis wore a white scarf. Elvis wore a mirror belt, with a silver chain in nine bows around it. This suit was designed by Doucette, Bill Belew's assistant. Elvis would wear it in June 1972, in Las Vegas August, September 7th Season and in 1973, April.
 It also had an original belt, blue leather with patterns similar to those of the suit with six silver clasps added. They have a thin chain and a thick silver chain, both in six pains around the belt. This belt is known as the "original" but was not manufactured until late 1972 or early 1973.

Jumpsuits April 1973

"Fire Suit" with cape red lining.


It is a white jumpsuit with drawings in flame-shaped patterns, on the chest, back and outside on the sleeves and legs. In the folds of the bottom it is lined in red. With small pointed gold studs in different sizes. There is also transparent red in the shape of a circle and an oval. The rhinestones are in different sizes. With rhinestones that wear a layer of titanium, this makes the color variable depending on the angle. The cape is also adorned with a large flame pattern and the interior is lined in red fabric. 
The white leather belt of the same design as the suit, with two rows of silver and gold chains in six arcs around.
 The belt was also worn by the "Pharaoh" on several occasions. Also called the "Red Flower Suit" it was first worn in Phoenix, Arizona on April 22, 1973. Used again at Lake Tahoe in May 1973 and believed to be in Las Vegas in August 1973 and January-February 1974. Last time in March 1974.

"American Eagle Suit"

The white suit, called the "American Eagle Suit", was a white jumpsuit designed with a spectacular American eagle on the chest and also on the back, embellished with gold studs in different sizes and patterns. With red and blue rhinestones, in different sizes and some of the stones in transparent blue. Eagle designs are also found on each upper arm sleeve, also three on the outside of each pant leg, as well as behind the collar which was as always high. The folds of the pants had red lining on the kick of both legs. A novelty included in the design by Doucette, would include a design also around the waist below the belt. 
The cape was white on the outside with an eagle design as the suit but made large, with the same type of studs with red and transparent blue rhinestones and the inner lining in blue. The belt was designed in the same line as the suit, it had seven pieces of gold metal, buckles in the shape of eagles, decorated with the American flag distributed around the belt. The suit-like adornment also has the same studs, with red rhinestones. 
Also with two gold-colored chains in ten arcs around it. They made another copy belt and another one but with only six bows in adornment. This suit was truly spectacular, one of the most beautiful jumsuits that Elvis ever wore on stage. Although the short capes were also heavy, they looked splendid. Later in the Las Vegas engagement, some change was made to the suit and cape.

A New Member at TCB:
Emory Gordy
April 1973

A new member of Elvis Presley's group who joined his band in April 1973 Emory Gordy joined Elvis's TCB group in April 1973 for new concerts, replacing bassist Jerry Scheff who had left the group. Gordy played in Elvis's band until 1974 and was asked to study around 600 songs for repertory. He was really surprised because of all these songs, only about 50 would be played regularly, changing from one concert to another, without innovating. He was an excellent musician, since he came to play several instruments: the piano, the trumpet, the banjo, the euphonium, the guitar and the ukulele, the French horn and, obviously, the bass. Over time he played in string bands, dixieland, Top 40 garage band and also learned to arrange music. He became a studio musician beginning in 1964 and worked with major artists, including Neil Diamonds, working alongside Roe, Razzy Bailey, Mac Davis, and Freddy Weller, as well as touring with Lou Christie, Rufus Thomas, and The Impressions. 
In 1972 he would record with Elvis Presley, playing bass on "Separate Ways" and "Burning Love". When he met Elvis and the band, he was impressed and really enjoyed working with him. The atmosphere, the complicity, the rapport as artists, everything came to him and left a mark on him. When the proposal of the 1973 tour with Elvis was made to him, he didn't have to think and agreed, but he was really a little disappointed even though the work they did was well done. 
He really didn't see anything new, the songs were played over and over again and he didn't find much enthusiasm, although the relationship was still good with the musicians and with Elvis. It was clear that things had to change... 

"Following the Path of the King..."


2 LAKE TAHOE Season 1973

May 1973. 2 Season in Lake Tahoe(Enter the page click on the button)










                                                                                  TOUR 8 
     
                                                                                         June 20 to July 3, 1973

TOUR 8        June/July 1973











The tour carried out by Elvis Presley from June 20 to July 3, 1973, would again mark a change after a few difficult days in May, during his performances in Lake Tahoe. This Tour would be one of the most interesting since it would recover his form and would offer his audience the best show. A few days of great success for Elvis, with good reviews and, above all, magnificent performances. We have said that 1973 would be the year of the ups and downs, because Elvis's artistic situation really varied from one Tour to another. The ability to rise up and rise above his own problems, his health or his own state of mind, was one of Elvis's most admirable qualities. In these days of June and July he would prove it again, with his good work and his performances, Elvis knew how to be reborn and enjoy again.

The Artist on Stage

Tour June/July 1973








The June-July 1973 Concert Tour would be an absolute success for Elvis. He had recovered from his ailments and was physically strong and also in high spirits, because Elvis always grew up in the face of events. He had a wonderful ability to get up again and grow in his show, as if nothing had ever happened. Elvis was in top form, his voice sounded splendid. In fan stories we can learn from his description the closest vision to his idol, which can make us better understand the moment they were living during their performances. On June 23, 1973, a rainy day in New York City, Elvis was performing on Long Island at the Nassau Veterans Memorial Coliseum. A fan who had already seen Elvis perform in various concerts in 1972, 1971, expected to see him again in this concert. I would describe the entrance on stage, with the introduction of The Sweet Inspirations who gave the introduction, followed by comedian Jackie Kahane. A break of a few minutes and the lights began to flicker, asking the spectators to return to their seats, to continue the show. After uniformed security guards lined the stage for protection, the orchestra members and other singers and musicians took their places. And suddenly, everything went dark, the lights went out, when the orchestra attacked the overture of "Also Sprach Zarathustra"... the emotion, the screams, were felt in every corner of the Coliseum, when they reached the end , the screams were even bigger. The spotlights went around the place, when everyone was still standing shouting, suddenly the spotlights went to the back of the stage and there standing smiling, was Elvis. He walked to the center of the stage with that wonderful smile and then walked back and forth, waving to the audience. His "Snowflake" costume, attracting attention with the lights, when Elvis moved towards the microphone, beginning to sing See, See, Rider...
Elvis moved, shook, made some sudden movements of his head and legs, the crowd went wild. Describe when Elvis turned to the crowd and said, "Good evening, it's a pleasure to be here. I'd like to sing a little 'Love Me Tender' for you." The song begins and stops adding..."I just said that I would like to... again shouts from the public and Elvis would continue singing. It was clear that any movement, comment and especially his music reached the public in a special way Elvis was confident, he was happy, he seemed cheerful and dedicated to his audience.


Elvis continued with his show, singing the classics of the 50's and some of the women who were sitting, wept while others just screamed with joy. His voice was in one of his best moments, Elvis continued with his interpretation, when the applause of the public ends. They seem to be calming down, then, Elvis says, "Excuse me...I lost something," then he reaches down and picks up a pair of women's panties that were thrown onstage! Elvis shows them to the audience and says: "They're not my size."
Everyone laughs and even more so when they see that Elvis throws them at poor Charlie, who is surprised. At another point in his performance, at the end of a song, a bra and another pair of panties were thrown onto the stage. Elvis who sees them, approaches and picks them up. He again shows them to the public, also to the musicians and says: "Soon there will be a lot of naked people out there!". Everyone screamed and laughed. This type of scenes could be witnessed on many occasions during his shows, it was the year 1973 and Elvis aroused the same sensations, hysteria, euphoria, joy... as in his first days of acting.
The difference is that society had evolved and freedom was greater in these demonstrations of appreciation. His interpretations left the public dazzled and Elvis said that they were a good public, they could see how he sang sometimes, with his eyes closed, feeling his music from a special way and offering it to his audience. He would sing ballads, sing Rock, Gospel...
Elvis was again enthusiastic and happy to perform before his audience. Elvis had regained his joy in these Shows.

"Following the Path of the King..."

From Tupelo to Memphis 77. Tour June/July 1973


Experience and Mastery.
Tour June/July 1973

The Repertoire in concerts of this Tour, would be similar to the previous concerts, there really was no new song and despite having an extensive repertoire, Elvis would continue to include the same songs. He hardly added any that he hadn't sung for a long time, like "Something", but there weren't really any changes, the obvious reason is that Elvis didn't want to risk anything at this time, but on this tour it would be a success. They say that Elvis seemed to put so much energy in the show that he performed before his fans, which seemed amazing, that hours later he would perform again. Elvis wore himself out a lot on stage because he used himself thoroughly with his voice, with his movements and also with his dedication to his fans. In these concerts he would be like before, during the performances in which he moved any part of his body, legs hips, arms, shoulders... Elvis seemed to relive past times, even with songs that transported years back in time. Elvis seemed to be enjoying himself at these shows, because the crowd was truly one of the most enthusiastic that had witnessed his concerts. This would be what encouraged him to enjoy and share it with the public. Although the repertoire was more or less the same, there were novelties both in the interpretation of the songs and in some improvised choreography or not. When interpreting some of the songs, Elvis felt so satisfied that he repeated the ending again to the surprise of his fans. For example in "How great Thou Art", "Bridge Over Trouble Water", etc. 
The song "Fever" was fully enjoyed by the public, Elvis sang softly and his swaggers, his vibrations made the audience grow. Elvis was dedicating his girlfriend Linda Thompson the song "Something", which had not been included in the repertoire for a long time. his experience, such as the song "What Now my Love", sometimes Elvis sang it largely spoken, other times not. But the truth is that he aroused in his audience an irrepressible emotion, when he said some phrase that could be particularly sensitive, when he sings the part, "no one would care, no one would cry, if I should live or die." he looked out at the audience with wide eyes as he sang this. 
Some of the women shouted 'No', obviously reacting to the words when he recited the lyrics, the women went crazy. It's amazing to listen to any of these concerts, where they don't stop screaming, crying, getting their attention, all this can be heard in the general shouting of his fans. Elvis was still loved and adored by his faithful audience and also known by a new audience. In many of the songs he would move again in a frantic way like when he sang a rock, his ability to reach all the viewers and also the interaction that Elvis had with the fans, who responded absolutely to all his gestures, to his voice, to his vibration in general. "Suspicious Minds" would once again have the fire of yesteryear, his movements... it is true that over time the song of singing it once and this work could sometimes be repetitive, but in these concerts I would return to it with force. In many formidable moments, with a new choreography, a fantastic "Steamroller Blues", it begins with Elvis crouching in front of Ronnie Tutt, the drummer. He has his back to the audience on the first note, then suddenly begins to creep towards the center of the stage in an almost crouched position as the drums play. 
Elvis surprises the public in an incredible way interpreting this song, with strength and emotion. For any listener who does not listen attentively, you may think that once you listen to the songs, it would be the same in the other concerts, but Elvis always wanted to give a different touch to his songs. It is evident that it was the way of not getting tired and not getting tired, despite interpreting in a different way, tempo or even making combinations with the songs. Listening was looking for a difference and it can be seen in the concerts, if he also had that great audience, then the show became something spectacular. One of the high points of the concerts was when he sang "An American Trilogy", since It was such an intense song that it managed to lift all the spectators. In these times most of them remained seated because the police could attract attention, but Elvis made the public rise on many occasions with his ovations.

Later Elvis would break all the schemes singing "A Big Hunk o' Love"... His show was fantastic, he sang a Gospel, then a rock, a ballad... any song he sang he did with mastery, good taste and received as response the applause of his public... This was a question that was asked after these shows,who could do this and also come out with undisputed success from the audience.... Elvis Presley

The Magic of a great artist like Elvis, was precisely to sing as if it were the first time, rediscover that song that takes on a new air, a new interpretation for his audience.

"Following the Path of the King... "

https://www.youtube.com/watch?v=jaWSvCMZVFI

https://www.youtube.com/watch?v=yxosheG1wz4&t=1549s



8 Tour June July 1973

Music was always the answer

All the people who knew Elvis Presley agreed in their way of describing him when he was first known. They said that he was kind, attentive and also, when he appeared in a room, the mere presence of him was felt, he had a special magnetism. There was also his physique, his beauty, his eyes, everything about him amazed people, not only on stage, but when they met him in person. No photograph did him justice, for he was an extremely attractive man. As for his gift, his voice, everyone was impressed to listen to him, it was his most outstanding quality and Elvis always knew how to talk to people, how to act and he knew that he had all these qualities, but he was too humble. There are other details of him that many appreciated as his smile, his way of laughing, his hilarious humor that spread to others. But Elvis also had the ability to make everyone who dealt with him special, his family, his friends, his workers, his audience, even people he knew on the street. He was positive, motivating and inspiring with everyone he spoke to, despite having his own problems, his limitations and being a bit of a domineering person, he always tried to make everyone comfortable and happy with him. 
Some described him as a loving person with everyone, special and his generosity was always another of his best qualities as a person. As a man, his search for him, his spirituality was what he often wanted to share with others, even though many of those who loved him did not understand him. And his music, really his music would be a gift for his fans, because in it he expressed the deepest part of his being, a part of him so great that it let his soul shine through. In his music he would pour his optimism, his joy, his love, his loneliness, his pain, his loss... because Elvis was essentially the music he played, his voice was sincere and his life did not go a single day without feeling that real love. Elvis was looking for himself as a man, his mission in life, his whys, but really over time he was able to understand that with his music he made us all happy. He knew that he had that gift and he wondered many times why it had been him and not someone else, it was one of his questions in his life, but his insecurity and his fears, his fear of oblivion, They would be absurd. His obsessions led him to lose himself on a path of no return, but when he sang again, to feel that beloved music, he found himself again. He always asked himself that question even though he had it in front of him, music was always the answer and he would live to continue acting before his audience. 

"Following the Path of the King..."


 June 1973, success again on the Elvis Path


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The King's Cape and Belt

The Designs of Destiny

At Elvis concerts things always happened, anecdotes, his fans adored him and in many cases there were surprises for everyone. For Elvis himself, the public has always provided him with that magic that hooks him, the endless applause, the shouts, the kisses and above all that reception that always gave him strength in the hardest moments. Elvis fed many times on that fervor that the public offered him, since he started his concerts when he was young, revolutionizing and scandalizing. When he would act again in 1969, reborn with his shows and little by little, always giving everything so that his fans continued to enjoy his music. On June 30, 1973 in Atlanta, Georgia, during the 3 pm show, Elvis performed at the Omni Auditorium. Elvis was dressed in the Thunderbird Suit with the Jack Lord belt, a copy of the original. Before starting the show they told Elvis that they had seen a little boy, dressed in a white jumpsuit, which made him funny and when he started singing he looked for him, but it was difficult from the stage. Elvis was sometimes surprised by the gifts, photos, drawings, teddy bears, etc... that they sometimes gave him at his performances, it was another way of showing him his affection. 
For Elvis, that demonstration was always important, considering that he was always the one who gave people gifts without expecting anything in return, he felt as something very special if someone gave him something without asking for anything in return. It also surprised him that someone wanted to imitate him or dress like him, because his humility made him think that he was not a model for imitation. Even if it was a small child or someone older, for this reason I wanted to meet the child. During the performance that afternoon in the Omni Auditorium, many people were able to observe a woman, who had her child, her child of about five years, who She was wearing an imitation white jumpsuit, probably handmade. It drew a lot of attention, because Elvis was finally able to locate them and asked that the lights in the room be turned on so that the mother could raise her son and that everyone could see how he was dressed. 
Then Elvis approached them and gave him a gift to the unforgettable boy, he handed over the original cape from the Thunderbird suit and at DJ's suggestion, also the belt he was wearing. This time would be the last time that Elvis wore this suit with his original Cape. The boy's name was Robbie Barnes and for years he kept this gift, until he was 16 years old. We don't know to what extent he would remember the performance, nor if he remembered those very special minutes with Elvis, something that would be unforgettable, such an important moment for a fan. He was too young and surely everything he went through would be seen through the memories of his mother. But it was at this age, at 16, when a wealthy fan named Jimmy Velvet made him a proposal.
 Jimmy wanted Elvis's Cape and Belt badly and was willing to pay him anything. Robbie was very young and the truth is that he did not care much about money, he would have asked for what any young man wanted with his age. I had something much more fun in mind for him, he wanted a car, but a very special one. Robbie replied to Jimmy that if he could buy him a Pontiac Trans Am, a famous car known as the firebird, which was fashionable in those years, then he would give him the cape and the belt. 


Life sometimes surprises us, He gives us dreams, he gives us illusions, joys... other times he suddenly changes our course, gives us opportunities to choose, to do things, sometimes cruel, others he treats us harshly.
 But life above all gives us the opportunity to be, grow, love, die... every minute is important and everything we do on our way adds up to every second in our lives. But we never know how unexpected and sudden destiny can be. 
Finally this agreement was fulfilled and Jimmy got the Thunderbird Cloak, with the Jack Lord belt and Robbie got his Pontiac Trans Am, not knowing what would happen to him in the future. his destiny. Sadly, Robbie did not know that a year and a half later, that car would make him lose his life on the road, he died at just 18 years old. The original Thunderbird suit is currently at Graceland, the Cape and the belt would still buyer's hands. But Robbie Barnes's life would be lost forever on the Road.

 "Following the Road of the King..."



The Security of the King

Protocol in Concertss

When the Concert Tours that Elvis Presley did were carried out, a general protocol had been established to organize how security, stay and comfort would be carried out so that Elvis could make his tour without obstacles. Everything or almost everything was established and there was little doubt of improvisation or in any case it was wanted that there would be no room for unforeseen events. Colonel Tom Parker had discovered a way to work better to make these Tours, it would be to arrive at the city in three batches. In the first place the Colonel arrived, with his staff and some member of the Elvis representatives, who always arrived the night before the tour. concert scheduled with the anticipation of supervising last-minute details and preparing for Elvis's arrival later that night. What worried him the most was that it be a safe place, Jerry Schilling was in charge of this, who was the one who accompanied him on many occasions, as long as he was not working in the film studios in Hollywood. The mission was first to see what the Hotel was like, the entry and exit arrangements, without having to use the lobby and if possible, not having to go through the kitchen or not having to coincide with the employee area. Sad to have to travel like this to big hotels and not be able to enjoy the freedom of being able to walk in peace, Elvis really always lacked this freedom. Then there was the fact that the rooms were quiet and with space for everyone, Elvis and his entire staff. The normal thing is that they had a complete floor to be able to accommodate all the staff, which was comfortable and safe. It was difficult to access this floor, because they left the doors tied with sheets or barred to be able to control, in addition, room service was asked to deliver the food in the elevator or at the door, but they never entered Elvis's room. Sometimes there could be problems because they couldn't get the full floor of the hotel, there were more people, so when Elvis arrived, people leaned out to see him. He didn't like this, because really all he wanted was to be seen on stage, not in his private life, and obviously those moments were just for him and his work before and after his shows. Finally, the room was prepared where Elvis was going to be, that there was air conditioning to be able to set the right temperature since Elvis liked a cold environment, which meant darkening all the windows in the room with aluminum foil. A custom worthy of Dracula himself... but it is true that Elvis had great difficulty sleeping and if he also had to do it with light, rest was totally impossible for him. The last thing was the arrangement of the rooms for all the staff and a One of the rooms was arranged as the Colonel's office. The following was for the Colonel to return to the airport to receive Elvis's plane and thus be able to assign all his keys so that Elvis and his companions would prepare to arrive in a Limousine at the Hotel.

In the early days of touring, he would go to the hotel after the show, but it was impossible for Elvis to fall asleep, because he was so overexcited after the concert that he couldn't rest. In this way, what was decided would be to fly to the next city immediately so that when he arrived at the Elvis Hotel he could already rest until the next day. When at the end of the concerts it was said "Elvis has left the building" it was quite real because everyone was already on their way to the airport. In the morning, when Elvis was still asleep, the Colonel and his advance team continued to check, the first thing the sound equipment that had arrived properly. The second is to see the route of the limousine to the auditorium and to see alternatives. There was also the matter of promotion, the RCA-produced fliers, which were sold at the concert, although Elvis wanted them to be free for viewers. Although each one was clearly marked, "Photo Album: For Record Promotion Only." In the afternoon the third batch would arrive in a chartered jet, a large plane, with the musicians, the instruments, and luggage, promotional material, etc. And finally buses were waiting for them at the airport to take them to the Hotel. Also a luggage truck that when they were going to arrive or leave the hotel, they left their luggage outside the room so that it could be transported in it. Everything was very organized, so they did not waste time, it was very simple for everyone. For Elvis too, although when he is an artist he is used to traveling from one place to another, this way of doing it, at least gave them comfort, speed and efficiency for their work and rest. Even with all this, a tour like this is very stressful or intense, since every day you are in a different city. Effort and courage, putting on your best face in front of the public, trying to rest and acting as if it were the first day...
 the life of the artist!

"Following the Path of the King..."


JUMPSUITS June/July 1973

We know that the magic part of Elvis's show was also formed by his costumes, his appearance and it was his clothing that made him also peculiar in his show. The Tour from June to July did not have any novelty in the designs of Bill Bellew and Gene Doucette, the Jumpsuits were the same ones that he had already used in the recent Concerts and for the moment he had not released any new ones, for which there would really be no explanations, but we remind you of the details of them:

"Snowflake Suit", blue lined cape, original belt
It was a white jumpsuit with snowflake pattern drawings, there was an earlier one that Elvis would wear in November 1971. The two suits had similar drawings, but the costume jewelry that adorned them they were different. There are two snowflake patterns in the center, on the top behind the back and on the neck. Also on the outside of the sleeves and below down each leg crease, the end lined in turquoise.
These patterns are adorned with gold-colored rhombus-shaped studs, also with pyramid-shaped studs. Ornaments in imitation oval diamonds, in different sizes of blue or turquoise, they are called northern lights and had a blue tone with a titanium layer that gives them hues.
The white cape with turquoise fabric lining, with decorations similar to the suit
These are called northern lights and have a special The white leather belt, is adorned with four large colored medallions with the same studs and rhinestones as the suit. With two rows of silver and colored chains in six bows around "White Blue Snowflake Suit" or "Stone Snowflake Suit" were other names for the suit.
Elvis first wore it on April 26, 1973 in San Diego, California. It is believed that it was used in Lake Tahoe, in May and Lo 3 ​​and in June July of the same year.

"Nail Studded Suit" or "White Nail" with cape lined in gold.
It was a jumpsuit with ring patterns around the top, at the neck, and around the sleeves. The rings each had three rows of small hemispherical studs that were gold in color and also with transparent brown rhinestones. other larger oval stone ornaments in brown, with a layer of titanium that gives it a colorful shade, depending on the angle and light. With similar patterns in the rest of the suit and in the kick it had similar decorations, with the folds lined in gold with the same studs and rhinestones.
Original "Nail Studded Belt" has four golden circles, colored medallions, two of which are on the belt buckle. Elvis first wore this costume during the April 1973 tour. In addition to the Original belt, Elvis wore the Pharao belt.
During the June/July tour, Elvis wore the belt from this suit with the "Pharao" suit. This suit had a counterpart: Nail Mirrored Suit. It only had a small difference compared to this one: where this suit has big stones of different colors, the "Nail Mirror Suit" has small mirrors.

"Today Suit" or "Pharaoh" with Yellow Lined Cape.
Pharaoh Suit "Egyptian" also known as "Mayan Suit" It is a white suit with a patterned design that resembles the adornments that the pharaohs wore, according to Doucette's design, although it also had Mayan influence. It was arranged around the neck, back and chest. Also adorning in a circle placed on the shoulders, as opposed to the neck with square patterns on the back and at the chest opening. Also on the sleeves with circular patterns, on the elbow, also on the sleeves and outside of the legs. On the legs the fold in yellow lining.
The patterns are made with studs in the shape of a circular, oval, triangular and square pyramid in gold and some in turquoise.
The cape was white on the outside lined with yellow cloth.
The original belt was white leather adorned with six gold medallions depicting a man with a spear. Around with studs and rhinestones just like in the suit. The original belt was only used in the first season in Las Vegas 1973, because he gave it away. Later Elvis used "Fire Suit Belt" with the exception of Pittsburgh on June 26 where he used "Nail Studded Belt".
The costume was worn on the 8th season of January-February 1973. Also on tour in April of the same year and again in Lake Tahoe in May. The last time on tour in the city of Atlanta, on July 3, 1973.

"Blue Rain Suit" with cape lined in Blue
It is a white jumpsuit with patterns drawn in gray or metallic vertical lines and dome-shaped gold studs and dark blue rhinestones in various sizes, which simulate rain. These patterns are arranged on the chest, back, around the neck, and the outside of the sleeves and pant legs. In the folds of the legs, with dark blue lining.
The cape is white with the same patterns as the suit and inside it is lined with dark blue fabric.
The belt was white leather with five gold squares with holes. Equally adorned with studs and rhinestones, like the suit. With two gold colored chains in six bows surrounding the belt. Also known as "'White Blue Rainfall Suit" or "Nashville Suit" He dressed in Las Vegas in January-February 1973, also on tour in April. Believed in Lake Tahoe and June/July 1973 tour.

"Fire Suit" with cape red lining.
It is a white jumpsuit with drawings in flame-shaped patterns, on the chest, back and outside on the sleeves and legs. In the folds of the bottom it is lined in red. It has small pointed gold-colored studs in different sizes. There is also transparent red in the shape of a circle and an oval. The rhinestones are in different sizes. With rhinestones that carry a layer of titanium, this makes the color variable depending on the angle. The cape also adorned with a large pattern of flames and the interior lined in red fabric. The white leather belt of the same design as the suit, with two rows of silver and gold chains in six arcs around it. The belt was also worn by the "Pharaoh" on several occasions. It is also called "Red Flower Suit" it was first used in Phoenix, Arizona on April 22, 1973. It was used again in Lake Tahoe in May 1973, in June 1973 and it is believed in August in Las Vegas 1973 and January February 1974. The last time in March 1974.

"American Eagle Suit"
The white suit, called the "American Eagle Suit", was a white jumpsuit designed with a spectacular American eagle on the chest and also on the back, embellished with gold studs in different sizes and patterns. With red and blue rhinestones, in different sizes and some of the stones in transparent blue. Eagle designs are also found on each upper arm sleeve, also three on the outside of each pant leg, as well as behind the collar which was as always high. The pant pleats had red lining on the kick of both legs. A novelty included in the design by Doucette would be to include a design also around the waist below the belt.
The cape was white on the outside with an eagle design like the suit but made large, with the same type of studs with red and transparent blue rhinestones and the inner lining in blue.
The belt was designed in the same line as the suit, it had seven pieces of gold metal, buckles in the shape of eagles, decorated with the American flag distributed around the belt.
The suit-like trim also has the same studs, with red rhinestones. Also with two gold colored chains in ten bows around it. They made another copy belt and another one but with only six decorative bows.
This suit was truly spectacular, one of the most beautiful jumsuits that Elvis ever wore on stage. Although the short capes were also heavy, they looked splendid. Later in the Las Vegas engagement, some change was made to the suit and cape.

"Thunderbird Suit and Blue Cape"
It was a white jumpsuit embellished with two large bird patterns on the front and back. These were made of pink, red, and turquoise costume jewelry, with small, round, pointed gold studs and flat round studs painted in pink. These also adorn around the collar and on the outside of the sleeves, also on each side of the slit in the pant legs, and up to the large belt. The lining fabric of the pants is white, and for the first time, Doucette had also decorated the lining with jewels. The cape has a large bird pattern on the outside, with wings spread, made with the same type of jewels, and the inside of the cape has a blue lining.
The design of this costume was inspired by an ancient Native American legend about giant birds that could shoot lightning from their eyes and release thunder when they flapped their wings. The Jack Lord belt. It was designed by Bill Belew's assistant, Gene Doucette. It was leather that Elvis used with this suit in 1972, it was white with many patterns in rhinestones of different colors. With three brass chains, in seven pains around the bottom of the belt.
This belt did not have a name because it did not match any suit and it would finally be called Jack Lord, because Elvis gave it to his friend Jack and his wife, in Las Vegas in the 8th season of 1973. Elvis liked this belt very much and always wore for this he gave it to Jack. Elvis wore the "Thunderbird Suit", "Stone Eagle Suit" or "Phoenix Suit" for the first time on November 11 in Oakland, California and later on November 17 in Honolulu, Hawaii in 1972.
A belt was made in early 1973 original that has four bird patterns similar to the ones on the suit, only smaller. Among these are studs and jewels in patterns similar to those on the suit. At the bottom of the belt are two golden chains in six bows around the belt. This suit was worn at least once in Las Vegas on February 17, 1973 at the dinner with the new belt. And once on tour in April of the same year, maybe also in Lake Tahoe in May. It was used once more, this time in Atlanta on June 30, 1973, where Elvis gave the suit and belt to a five-year-old boy named Robbie Barnes, who was in the audience dressed in a white jumpsuit.

"Orange Sunburst Suit" Orange lining cape.
It is also known as "Sunlight Suit". It was a white jumpsuit with a sunburst or sunburst-like drawing design with its center, in the middle of the chest, spreading out in various directions. The design was the same on the back. On the legs, orange lined kick pleats. The embellishments of the designs were rhinestones in brown, with light dark orange and with studs.
On the outside of the sleeves there are also sunburst extensions from the chest and back. Adorned with patterns made with round pointed, flat and oval gold, yellow and transparent studs.
The cape was white on the outside, with the same design as the suit, lined in Orange. The original belt was leather with a design of six gold-colored clams distributed around the belt, with two more on the buckle. With adornments like the suit, in rhinestones and studs. Add two gold-colored chains in six bows around the belt.
First worn in Las Vegas Season 8. January-February 1973. Also on April tour (without cape) and twice on June 1973 tour. Unclear if worn in Lake Tahoe 1973, in summer and in Las Vegas 9 season. It was used on the tour in March 1974. Elvis Presley's costumes were true works of art on stage and part of the magic of the scene.

"Following the Path of the King.

Sesiones de Estudio 
STAX STUDIOS

Grabaciones realizadas del 20 al 25 de julio de 1973

Las Vegas  Hotel Hilton

9 TEMPORADA  06/08-03/09

The anecdotal recordings at Elvis's house
22–23, 1973: Elvis In Palm Springs House recordings.


Elvis had a contractual obligation to RCA to record the songs and finalize the album they wanted to release by the end of September. Colonel Parker called Elvis and told him that RCA wanted a record, he was forcing him one more time, but he really was right since in four days he was going to be in breach of contract. Elvis who was tired of obligations said that he would do it but he wasn't willing to go anywhere, if they wanted his album, they should go to his house. The next day, they sent the recording equipment to his house to turn his living room into a recording studio.

On September 22 and 23, 1973, Elvis would make some recordings at his home in Palm Springs. The reason, of course, was to finish what could not be done in July at Stax Studios. He would have to record his voice on four backing tracks that were then performed. But just as it happened in July, the recordings at his house were not very productive either, there was a lot of lack of concentration and factors that diverted interest to other things. In the end, Elvis completed only three tracks of his own over the two days.
They were very particular recordings, as RCA provided a mobile recording truck, set up outside the house, and Elvis initially would not show much interest in working on the tracks, because he was really interested in singing and recording with a new vocal group that had hired. When Elvis found out that his friend Tom Jones had been left hanging without his backing vocals for his performances, he found them a backing band to fix his problem, but when he called them in to audition with Tom, the matter was already settled.
The vocal group that would be called Voice, consisting of Donnie Sumner, Sherrill Nielsen and Tim Baty. Donnie, who had recently left the Stamps, would be the one to form the group. Elvis told him that Tom was looking for a group and wanted to audition them, he loved the contrast of high and low notes they got and fell in love with the group, so when Tom told him that they didn't need them, Elvis decided to hire them for himself . The curious anecdote of the contract that Elvis made them, signed on toilet paper, told them that he wanted to be his manager. He would count on them for these recordings, also with four musicians: James Burton, Charlie Hodge, Tommy Hensley (bass) and Donnie Sumner himself as pianist.
RCA brought a tape of the four instrumental tracks with the mobile recording truck, as well as setting up microphones in the middle of the living room of the house. But they didn't have monitors, so it was difficult for everyone to hear each other when interpreting. For this reason, the making of the recordings would not be the most appropriate and more distracting factors would be added at this time.
Elvis had paid for a hair transplant to Sherrill Nielsen, which had been done in his own home and it seems that at this time, the singer was not yet fit, his head was bandaged and still bleeding, so Elvis was very distracted while recording. Elvis insisted on spending much of the time making any recordings with the vocal group, rather than devoting himself to the RCA songs. Sweet Angeline, composed by Geoff Morrow, Chris Arnold and David Martin, was the only half-finished of the four tracks. by Stax to which Elvis added his voice, but the result is a song that catches your attention because of his voice, a song that is charming and worth listening to.
https://www.youtube.com/watch?v=PtTuDfasVLE

It also included a ballad titled "I Miss You", about lost love, composed by Donnie Sumner and the song "Are You Sincere", which was a hit for Andy Williams in 1958. The result on the recordings is good, although Elvis was more aware of Sherrill Nielsen, who had had a hair transplant and was still bleeding from it, Elvis was more curious about how she was doing on the recordings themselves. The recording of him was done in his pajamas and his interpretations would be carried out with great charm in a calm way and although in some fragments he could hesitate, the result is worth it. The song "I Miss You" was performed with four instruments and vocals and backing vocals, the result is incredible and again proof that it didn't take that many instrumentalists to get a good recording.
"I MISS YOU" by Donnie Sumner. 
Elvis recorded this soft-pitch ballad, written by Donnie Sumner, it was a very emotional and uplifting song. It would be released in late September 1973 on the "Raised on Rock" album. The track was later released on the Always On My Mind LP. An alternate version, take one, came out on "Today, Tomorrow & Forever" in 2002. Over half a dozen alternatives are on the 2007 FTD release "Raised On Rock"
https://www.youtube.com/watch?v=vpij4aSbUxk

"ARE YOU SINCERE"  by Wayne Walker. 
He recorded it in Palm Springs on September 23, 1973. The song appears on "Raised on Rock" and "Walk A Mile In My Shoes", and was included on the 2006 dub of "Elvis Country". Alternate takes without the Voice backing vocals were later officially released on "Car Memories Of Elvis" and "Platinum: A Life In Music". Other alternatives are on the 2007 FTD release "Raised On Rock". The song was released as a posthumous single with the B-side "Solitaire" in 1979, when it reached number 10 on the country chart. The song "Are You Sincere", could have been improved although Elvis' voice is melodramatic, but pleasant, although it would have been more intense if he had poured himself into the recording. But we know that Elvis wasn't focused these days, not enough. But in our opinion it is a wonderful song. https://www.youtube.com/watch?v=wjuo9eXNMdQ His interest was really focused on the Gospel songs he was singing with The Voice, which had nothing to do with these recordings, but as always Elvis was immersed in his most intimate music and excited about his new group of vocal accompaniers.
In any case, they were two very peculiar days for the recordings and he was also very happy with his new group, with whom he was able to make some demos.

"Following the Path of the King..."


The consequences of the Acts.
October 1973. The divorce.

After a strange Season in Las Vegas, the firing of Colonel Parker and regretting this, the divorce date would come.
Elvis and Priscilla's relationship had lasted for many years, since 1958 when he met her in Bad Nauheim, Germany. Years of love, friendship, laughter, pain, commitments, obligations... all the circumstances that lead to a relationship that could have been extended or broken during the first years. ELvis was always an unfaithful man, it was really difficult for him to be otherwise, perhaps looking for another love, another complicity that he did not find in Priscilla. She was almost a girl when she fell in love with him and over the years she would grow up and mature seeing how her husband changed her way of being and his customs. Although she knew of her infidelities, over time her independence led her to also have another relationship that finally made him leave her marriage.
But she would surely have done it regardless of this, because Priscilla also needed to feel independent and valid, despite being the mother of a family, she would seek her own destiny.
The separation was completely inevitable and for this reason the divorce would finally come.
Everything was already sentenced between the two parties, Priscilla Beaulieu and Elvis Presley had reached an economic agreement by which they separated as a couple. Although obviously never as Lisa Marie's parents, their divorce would be amicable and they would show it to the press when they left the court smiling and hand in hand, on October 9, 1973.
Priscilla would see that Elvis was very swollen, she saw him very changed. The press recorded several photographs of this departure from the courts, so George Klein asked Elvis what he was saying to Priscilla when they were saying goodbye.
Elvis said he told her, “We met as friends and parted as friends. If you ever need anything, just give me a call. Always love You."
Elvis' customs with his daughter Lisa Marie, adapted to the circumstances. As her father, he would always try to be with her and take her to all the commitments he had and even modify them if necessary to be able to enjoy her daughter. With her mother he never had any problems being able to see her when it was possible and fortunately between the two there were no resentments or later reproaches. Fortunately, all the tension that existed when they were living together as a married couple disappeared with that bond and when they saw each other again they seemed like friends and shared their daughter because it was clear that between Elvis and Priscilla there was a strong bond that would never be broken and their daughter was part of their lives.
Although Elvis would accept this change, since it was impossible to remedy it, Priscilla already had a stable relationship and so did he, it was absurd to think about this at this point. Really, their marriage was careless in many aspects and Priscilla, who matured by his side, realized that she no longer had to be with him anymore, since their relationship was almost nonexistent, after having had her daughter and Elvis was dedicated to more to other women than to her.
Her past mistakes gave way to this consequence, although for Elvis the music, his performances came first, the fact that his family was divided into two, was a hard blow difficult to accept. Besides, the fact that his wife had left him was stronger for Elvis, because he felt very offended. But in October 1973 this no longer mattered, there were other things that weighed him down as well, it is very possible that Elvis was depressed by his situation, but the fatigue of doing the same thing day after day was added and having recently performed at the Hilton Hotel would be for him also an explosion of complaints.
Elvis continued to use Demerol as a remedy for his ills, not only physical ones, and he was going overboard in a way that would complicate things to the point of degenerating into a serious problem for his health.
His friends were very worried about Elvis, because they were seeing many unusual changes in his attitude, but nobody could do anything to remedy his problems.
Elvis was truly responsible for his own actions.
"Following the Path of the King..."

The Burden of the Past. October 1973



































Elvis Presley was in a delicate moment, in October 1973 Elvis was still earning money as an artist for his performances, but the finances were in a very unstable moment. There were many expenses, there had also been some lawsuit due to his safety and there was also the divorce with his wife that forced him to spend a large amount of money. Colonel Parker received about half of his income from his work, although officially It will not be shown in the contract. Evidently there was another major outflow of money, the federal government received a third of its profits in income taxes. Even with all these expenses, Elvis was earning millions, but it is true that the way of life that he led made everything come to nothing. There were really too many expenses, Elvis never had any qualms about using his money for whatever he could think of, to give it away, to buy houses for his people, his family and he had no knowledge of what came and went. The loss of the rights of his songs, it would also be another cause for disgust, because RCA was already maneuvering to publish a new compilation album of successes, from which Elvis would never receive a single penny and Colonel Parker was very angry, because he had realized his ridicule. It was an absolute mistake and now they were going to pay him with that loss, he had released the new LP "Raised on Rock", but he had to argue with RCA to change the date of the compilation. Decisions would have to be made regarding the attitude to follow and commercially, changes should be made. All this also affected Elvis, who had never been aware of all these things, but it was clear that everything would be transparent from now on and it also added to his concerns. But Elvis was always like that since he started earning money, he could buy a cadillac, like giving his friends one for each... or spending on jewelry, houses, everything he could think of. In his way of being, money was there to enjoy it, to satisfy the wishes of his family, his friends. needs, his generosity was so great that the moment he heard a wish or a lack in someone's voice, Elvis would lend himself to help or give away what he had. Although he never expected anything in return, Elvis always appreciated good gestures and attention in sincere people, because after so many years, when he was always the one who gave, he was really surprised to receive something from others without giving anything in return. When Elvis received a gift from someone, his expression was that of a deluded child. adore and happy, that he received a surprise. He was sincere at that time, because he showed his need for appreciation of affection, with small details, for this reason in his way of acting, Elvis made others present, it was his way of loving and giving thanks. In 1973, Elvis was still being extremely generous and had no measure in his habits, but at this time he began to be more aware of what could happen economically with his fortune and with his future, due to all these obligations. But his refuge was still the same, the bad habits, the medications, but Elvis was free to continue acting as he wanted and he continued to live as he pleased, he did not have nor did he want to have any type of coercion in his things, he did not like being given orders and all the reproaches that his father could make regarding his attitude, did not make him change. After the divorce decree, everything was clear, there was no turning back, but even if there was pain, it was a fact that left the past to one side and the feeling of future emptiness. The change effected in him was very big, he had become overweight, but in reality he was swollen, his body began to respond to everything he was suffering and he would begin to scream from the inside to out. Elvis followed his path without looking back, but after everything that was happening, all the burden he was carrying, without realizing it, would accumulate in him to such an extent that days later they had to admit him to the Ho spital.

"Following the Path of the King..."

The Way of Renunciation


October 1973. Elvis Presley finds himself in a time of change, a difficult one since the time has come to follow his path after the divorce. Although he always blamed himself for his depression, his exhaustion and his situation at this separation, there were more reasons, but the main one was his addiction to demerol, to drugs even if they were prescribed anyway.
It is true that a large part of his condition had a lot to do with the separation, but at this point Elvis paid no attention to anyone and continued with his same habits that increasingly harmed his health. His physical deterioration was beginning to be clear and evident to everyone.
There were many details that made one think that Elvis neither wanted nor could leave all this,
Sonny West would say that Elvis not only got recipes in his name, but even on occasion discovered that he used the name of others, a clear example would be that of his own son. When he was at the Monovale house, Sonny accepted a delivery from Schwab's pharmacy, in the order there were several prescriptions, bottles, but he realized that one of them carried the prescription in the name of his son Bryan. Sonny was furious and went to claim Elvis himself, who said that he knew nothing about this. The matter was already serious and he had come too far.
Six days after the divorce decree, Elvis suffered a physical breakdown. He had had respiratory problems since he returned to Graceland, Linda called Dr. Nick, who after two days of monitoring his condition at home, decided to take him to Baptist Memorial Hospital in Memphis, since his situation began to be more critical. . It was necessary and he would have to be hospitalized because there was no other solution.
Elvis hated hospitals, but they tried to make his situation there at least more comfortable and they put all the means to isolate him as if instead of being in a hospital, he felt that he was in a hotel.
Linda even had her own bed next to him and also as she wished they covered the windows with aluminum foil so she wouldn't be disturbed by the light.
He was also in an isolated wing of the Hospital, with all the security around him and also with all his wishes fulfilled. They even brought him food that was made in Graceland in order to satisfy his requests, since he did not like the hospital food at all.
The hospital did not follow his rules and they granted his requests, they behaved so well, that in November, Elvis sent them a letter of thanks.
Elvis was entered under the assumed name of Aaron Sivle, the name play of his real middle name and Elvis in reverse.
Elvis was admitted to Baptist Memorial Hospital for eighteen days in October through November 1973.
He underwent extensive tests and doctors initially said his hospitalization was due to pneumonia and pleurisy, with additional symptoms of toxic hepatitis and an enlarged colon.
But despite all these diagnoses, the reality was that Elvis was there because of his addiction and to detox, since they discovered everything else that was happening to him and everything that he had used.
Dr. George Nichopoulos, Elvis' personal physician, discovered his addiction to Demerol.
They decided to treat him as an addict and Elvis was hospitalized until November 1.
Elvis's medical file was hidden from all the other doctors who did not treat him, it was one of Doctor Nick's conditions to protect the privacy and above all the public image of Elvis as an artist.
Elvis's friends, Lamar Fike, Marty, Billy his cousin, would say that in June Elvis had already suffered an overdose that left him very bad, they had to leave him under the shower water, without circulation, few heartbeats and outside of yes He did not respond to anything they tried to revive him with shaking, but finally Dr Nick arrived on time and was able to revive him.
But it was not the first time, unfortunately, and he no longer paid attention to anything, the designs of destiny were being helped by Elvis himself. After this he would receive an acupuncture treatment that actually hid methadone, as if he were an addict.
Elvis already had colon and liver problems, it was hereditary, also gastrointestinal problems, etc. But everything was complicated by the drugs he got.
There was a plan to be able to intercept the medications
that he received, but it was very difficult to fight against Elvis himself.
It was evident that it was very difficult to change the way he was and everything that was happening degenerated into collapse and hospitalization.
Although this hospital stay was necessary for Elvis to detoxify, it was not so clear that he was going to stop doing it.
The hospitalization even though he had no choice but to accept it, Elvis said that he would not deal with psychiatrists, he did not agree and would just stay there without them wanting to analyze his brain.
The end result stops He seemed to have been successful and Elvis would leave the Hospital with other perspectives and with more encouragement.
But there was always that doubt that everyone had regarding their hobby
Elvis would be willing to resign or not?
"Following the Path of the King..."

The voices inside
Elvis Presley  y "Voice"

Elvis Presley always liked choral groups, since he was young, he even wanted to join a quartet but it couldn't be.
Inside of him, as a good musician, Elvis could perceive voices in harmony, not only his voice, he liked to be part of a choral group and since he couldn't at the time, for this reason, he always accompanied himself of choir Elvis needed not only to listen to himself, he enjoyed the voices that he had around him and wanted to have all the means to be able to do what he felt inside also accompanied.
From his artistic beginnings to the end of his career, his wonderful voice was heard adorned with vocal groups that accompanied him both in concert and on his recordings. We will always remember the Jordanaires, The Blossoms, The Sweet Inspirations, The Imperials, JD Sumner and The Stamps as well as female soloists like Millie Kirkam and Kathy Westmoreland and Voice.
In 1973 his aspirations as an artist were not yet fulfilled, despite having been the greatest of him, he was still looking for perfection in his music.
For this reason in September 1973, he hired a group of 3 voices, which he gave the name "Voice".

Group formed by Donnie Sumner in 1973.
In September 1973, Elvis wanted to do a favor for his friend Tom Jones, who was in need of a backing group for his performances at the time. Elvis wanted to help him by auditioning the new group from Nashville consisting of Donnie Sumner, Sherrill Nielsen and Tim Baty. By the time he introduced them to Tom, he had already solved his problem, but Elvis, who was so excited about the group, finally hired them to record with him and for his performances.
Donnie had recently left the Stamps, Sherill was a member of the Imperials, and Tim Baty was bass. The peculiarity of the group was the contrast between high and low voices, which impressed Elvis in such a way that he was so excited that he decided to hire them and be his promoter.
The curiosity was that Elvis improvised his contract on toilet paper, he hired them for 100,000 dollars.
Elvis was very excited because he finally had his own group for when he wanted to record and he told his father. The Colonel did everything possible to convince Elvis to drop that idea, for financial reasons, but of course it was not possible, not even for him to pay less, because he was already engaged and they had accepted it.
The truth is that Elvis wanted to have a group especially for when he wanted to sing in private, to record or whatever he wanted and he also gave his word, which for Elvis was law.
Although the group was formed by Donnie Sumner, with another name, curiously the name of "Voice", Elvis would choose it, inspired to do something new.

Elvis was impressed by the high tenor voices, like that of Sherrill Nielsen who had worked with him before, and the harmonic contrast with the bass. He was happy with his new group and would dispose of them immediately.
The first time they recorded with Elvis was in September 1973 in some home sessions for RCA, with the songs: "I Miss You" and "Are You Sincere".
Later in the recording sessions held in December of the same year at the Stax studios. On this occasion they were joined by pianist Per Erik "Pete" Hallin.
In 1974 Tony Brown joined in the fall tour, etc. They were working for Elvis for 3 years.
With this dream fulfilled, Elvis would enjoy his voices when he wanted to sing at his house, on stage and on his recordings. This would be one of his fulfilled dreams that he dictated with the voices inside him.
"Following the King's Path..."

THOMPSON HOUSE RECORDINGS
NOVEMBER 1973

Sam Thompson, brother of Linda, Elvis's girlfriend at this time, performed impromptu at his home, at a family gathering with friends. Elvis was happy among his people and would sing accompanied by his guitar, he would also sing a duet with Linda. It would be a natural and spontaneous recording

 ELVIS JAMMING AT SAM THOMPSON HOUSE 1973 - YouTube
ELVIS JAMMING AT SAM THOMPSON HOUSE 1973 - YouTube

SESSIONS Stax Studios

DECEMBER 10 TO 16, 1973


Growing Page...


                                                                                                                          






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